Works by Sylvie Gilbert |
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Clay Between My Fingers (1994)
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Questions of Community: Artists, Audiences, Coalitions (1998) by Daina Augaitis, Lorne Falk, Mary Anne Moser, and Sylvie Gilbert
Stronger artist alliances, skepticism about institutions, and awareness of new audiences have all contributed to a reevaluation of what works and what doesn't for artists striving towards social change. In this timely anthology, over twenty writers and artists share their experiences in a range of Canadian contexts. From First Nations coalitions to artist mentoring programs, important art projects are analyzed. Several theorists offer additional insights into the broader issues shaping activist art practices. Offering years of collective experience, this book is essential reading for understanding arts activism in Canada. -
Arousing Sensation: A Case Study of Controversy Surrounding Art and the Erotic (1999) by Sylvie Gilbert
This publication was developed following a controversial exhibit that appeared at the Walter Phillips Gallery in 1992. In Much Sense: Erotics and Life, the artists explored ideas about sexuality, expressing frank viewpoints on topics such as body image and gay and lesbian sexuality. In the months following the opening, politicians, the media, and coalitions of arts organizations engaged in a rancorous debate, alternately battering and boosting The Banff Centre and its support of the exhibition. Arousing Sensation supports freedom of expression for both sides of the controversy, with full text media clippings chronicling a public debate about freedom of expression, funding for the arts, censorship, sexuality, political responsibility, and journalistic integrity. The book offers a unique case study of the role the media plays in public debates.
See also:
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Naming a Practice: Curatorial Strategies for the Future (1996) by Peter White
This publication features the proceedings of the Naming a Practice: Curatorial Strategies for the Future seminar that originated as an independent project within the Canadian curatorial community to provide a forum on curating in the visual arts. Organized in cooperation with the Walter Phillips Gallery and The Banff Centre, the event took place in November 1994. This publication documents the seminar, following the format of the event itself, and features transcripts of the formal presentations of each of the 29 participants, portions of the general discussion, as well as brief commentaries by each of the seminar organizers. The essays are grouped to address such topics as: "Methodologies," "Negotiations" and "Ethics," as well as "Local Knowledge and New Internationalism."