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Helene Stapinski (Writer) |
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Profile created January 21, 2009 |
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Baby Plays Around: A Love Affair, with
Music (2004)
Helene Stapinski took guitar lessons when she was a
girl, but it was her brother’s drums that really held her interest. She
used to sneak in and play them when he was away; when he realized what she
was doing, he dismantled them each time he finished playing. But Helene
figured out how to put them back together. She learned the classic drum
solos and followed the careers of famous drummers.
As an adult, Helene put the drums aside and became a journalist. When she
was thirty she interviewed Julie, the leader of a rock band, for a story.
The band needed a drummer, and Helene’s long-forgotten ambitions came
flooding back. She joined, and then she brought her husband aboard on
bass.
Just as they started playing out at clubs, though, Helene’s husband quit
the group. And as Helene’s involvement with her bandmates deepened, her
relationship with her husband became distant and strained—and very nearly
shattered.
Baby Plays Around reads like a novel but will ring true to anyone
who has ever been in a band or just dreamed of it. Set amid the bars,
clubs, and rehearsal studios of Manhattan’s Lower East Side, it’s an
incisive exploration of the romance of rock and roll, and of the
realization and relinquishing of youthful dreams—about ambition, freedom,
and infidelity, about love lost and found again. Written with the same wit
and insight that distinguished Stapinski’s uproarious memoir
Five-Finger Discount: A Crooked Family
History — and a sense of humor as
sharp as the crack of a snare drum — Baby Plays Around is a unique
and deeply personal story of music and passion.
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Five-Finger Discount: A Crooked Family History
(2001)
On a summer night when she was five years old, Helene
Stapinski watched out her kitchen window as her Grandpa Beansie was carted
off to jail for the last time. Beansie (so nicknamed because he had stolen a
crate of beans as a child) had spent the better part of that day in the
Majestic Tavern, a dive bar on the ground floor of the Stapinskisí apartment
building. As the afternoon wore on, Beansie's usual ranting turned mean. He
flashed a loaded gun; a silver .22 glowing in the light from the Yankee game
on the tavern TV, and bragged to his drinking buddies that he had a bullet
for each of his relatives living above the Majestic. But news traveled fast
in the neighborhood, and before Beansie, a convicted murderer and armed
robber, could stumble upstairs, the cops had him in handcuffs. The headline
in the local newspaper the next day read "Man Seized On Way To Kill 5
Children". As Stapinski writes, Jersey City was a tough place to grow up,
except I didn't know any better.
In this unforgettable memoir, Stapinski tells the heartbreaking yet often
hilarious story of growing up among swindlers, bookies, and crooks. With
deadpan humor and obvious affection, she comes clean with the outrageous
tales that have swirled around her relatives for decades, and recounts the
epic drama and comedy of living in a household in which petty crime was a
way of life. The dinner Helene's mother put on the table (often prime rib,
lobster tail, and fancy cakes) was usually swiped from the cold-storage
company where Helene's father worked. The soap and toothpaste in the
bathroom were lifted from the local Colgate factory. The books on the
family's shelves were smuggled out of a book-binding company in Aunt Mary
Ann's oversize girdle (or taken by Grandpa Beansie from the Free Public
Library). Uncle Henry did a booming business as the neighborhood bookie,
cousins did jail time, and Great-Aunt Katie, who liked to take a shot of
whiskey each morning to clear her lungs, was a ward leader in the notorious
Jersey City political machine.
No backdrop could be more appropriate for the Stapinskis than Jersey City; a
place known for its ties to the Mafia, industrial blight, and corrupt local
officials, and the author ingeniously weaves the checkered history of her
hometown throughout the book. Navigating a childhood of toxic waste and
tough love, Stapinski tells an extraordinary tale that, unlike the swag of
her childhood, is her very own.
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