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Works by
Jim Thompson
(Aka James Meyers Thompson)
(Writer)
[1906 - 1977]

Profile created March 1, 2004
Updated November 16, 2009
  • More Hardcore: 3 Novels/The Ripoff/Roughneck/the Golden Gizmo (1987)

  • Hardcore: 3 Novels: The Kill-Off, The Nothing Man, Bad Boy (1986)

  • King Blood (1973)
    Ike King, a man who built his empire with blood and violence, faces a career change when his sons threaten to take that empire away from him.

  • Child of Rage (1972)
    Child of Rage is one of Jim Thompson's most bitter and sexually explicit novels. Includes an interview with Thompson's paperback publisher, two color photographs by Harry O. Morris, photographs of Thompson, and a bonus novella by Thompson, this is the definitive edition.

  • South of Heaven (1967)
    In the 1920s the worst place you could be was in that part of Texas that some people call "South of Heaven," and the worst thing you could be doing there was laying a gas pipeline, along with six-hundred other hoboes, juice-heads, and jailbirds. But that's exactly what Tommy Burwell was doing, even though he wasn't smart enough to know better. Even though "South of Heaven" is another term for hell.

    Combining a tale of escalating savagery with a dead-eyed group portrait of men at the edge, Jim Thompson has produced a masterpiece of the American dissolute.

  • Texas by the Tail (1965)
    Mitch Corley has a girlfriend with expensive tastes and a ruthless wife who refuses to become an "ex" without major compensation. He needs big money and he needs it fast. Which makes Texas Mitch's natural destination, since nowhere are rich men more inclined to stake huge sums on a roll of the dice. The only problem is that Texans are sore losers--and they have cruel and ingenious ways of getting back at anyone who cheats them.

    Texas by the Tail is a high-spirited, sexy, and ingeniously plotted novel of the grifting life, by a writer who is a virtual encyclopedia of the con, the scam, and the double cross.

  • Pop. 1280 (1964)
    As high sheriff of Potts COunty, Nick Corey spends most of his time eating, sleeping and avoiding trouble. If only people--especially some troublesome pimps, his foul-tempered wife, and his half-witted brother-in-law--would stop pushing him around. Because when Nick is pushed, he begins to kill . . . or to make others do his killing for him!

  • The Grifters (1963)
      Buy the movie: 
    VHS  DVD 
    Roy DIllon seems too handsome and well-mannered to be a professional con man. Lilly Dillon looks too young--and loves Roy a little too intensely--to be taken for his mother. Moira Langtry is getting too old to keep on living off the kindness of male strangers. And Carol Roberg seems too innocent to be acquainted with suffering.

  • The Transgressors (1961)
    On the day he accidentally killed Aaron McBride, Tom Lord went from being a sheriff's deputy to a man awaiting execution. Because if the law didn't punish him, his victim's widow--or his shadowy business associates--surely would.

    The Transgressors is a novel of hair-trigger tension and mind-boggling reversals, a one-way trip into the desolate territory that Jim Thompson mapped and staked out as his own and populated with tarnished cops, conniving hustlers, and ingeniously sadistic thugs.

  • The Getaway (1959)
    Buy the movie:  
    VHS
    Doc McCoy knows everything there is to know about pulling off the perfect bank job. But there are some things he has forgotten--such as a partner who is not only treacherous but insane and a wife who is still an amateur. Worst of all, McCoy has forgotten that when the crime is big and bloody enough, there is no such thing as a clean getaway.

  • Lunatic at Large (1958)
    Lost novel.

  • The Kill-Off (1957)
    Buy the movie: 
    VHS

  • Wild Town (1957)
    The place is a frontier boom town where the graft gets collected more regularly than the trash. The hero is Bugs McKenna, slow-witted, hot-tempered man with manslaughter in his past and much worse in his immediate future. The much worse begins the moment McKenna gets promoted from ex-con to hotel detective without bothering to ask why. Because in Wild Town nobody does you any favors--and the price of advancement is always a little higher than what you can afford.

  • After Dark, My Sweet (1955)
    Buy the movie:  
    DVD
    Bill Collins is young, good looking, agile and strong but he's a drifter with mild multiple neuroses, in and out of institutions, and dangerously violent on occasion. When he gets involved with the hard-drinking Fay Anderson and the deceptively pleasant ex-police officer everyone knows as Uncle Bud in a ruthless kidnap plot, everything goes to hell in a hurry, and the end, for Bill, is inevitable and shattering. This is a tour de force of paranoia and violence from the master of the crime noir novel.

  • Roughneck (1954)
    Incorrigible author Jim Thompson retraces his wild swath across America during the great Depression and World War II. Whether he's getting drunk in a funeral home or drafting a manuscript with the help of a big-hearted prostitute, Thompson is a mesmerizing guide to hard times--his country's and his own.

  • A Swell-Looking Babe (1954)
    Buy the movie (Hit Me): 
    VHS  DVD
    The Manton looks like a respectable hotel. Dusty Rhodes looks like a selfless young man working as a bellhop. And the woman in 1004 looks like an angel. But sometimes looks can kill, as Jim Thompson demonstrates in this vision of the crime novel as gothic.

  • A Hell of a Woman (1954)
    Young, beautiful, and fearfully abused, Mona was the kind of girl even a hard man like Dillon couldn't bring himself to use. But when Mona told him about the vicious aunt who had turned her into something little better than a prostitute--and about the money the old lady has stashed away--Dillon found it surprisingly easy to kill for her.

  • The Golden Gizmo (1954)
    Toddy Kent was born with a talent for finding easy money, but Toddy's gift has the habit of deserting him when he needs it most. When he discovers a seemingly limitless ( and illicit) source of pure gold, Toddy's wife suddenly is murdered and he himself is on the run from a sinister man with no chin and a singing Doberman.

  • The Nothing Man (1954)
    Clinton Brown is smart, good-looking, and the best rewrite man on the Pacific City Courier. The wife he divorced is still in love with him, as is the alluring and well-heeled widow who will do anything to make him happy. But Brown is missing something, and without that one thing there's no possibility of happiness--no possibility of anything but knocking back the booze and punishing anyone foolish enough to try to take away his loneliness. What Clinton Brown lacks may be enough to make him murder.

    Is Brown a killer or the victim of a sadistic frame-up? And if he's innocent, why is he so intent on being caught? Deviously plotted, fearfully acquainted with the psychology of rage and guilt, The Nothing Man is further proof of Jim Thompson's mastery of the crime genre.

  • Recoil (1953)
    Pat Cosgrove was a convict in the state's vilest prison, and Doc Luther gave him his freedom. Cosgrove had never been loved, and Luther gave him two mistresses--one of them the beautiful Mrs. Luther. Cosgrove owed Luther his life . . . and now Luther was going to collect.

  • The Alcoholics (1953)
    Dr. Peter S. Murphy runs a clinic to cure alcoholics. But his charges believe that the only thing that will fix them is another drink. To this bitter struggle of wills, add an orderly who doubles as a quack practitioner, a nurse who is both alluring and ingeniously sadistic, and a misplaced patient whose main problem is his lack of a frontal lobe, and the result is one of Jim Thompson's most harrowingly funny yet deeply sympathetic novels.

  • Bad Boy (1953)
    At thirteen Jim Thompson was learning how to smoke cigars and ogle burlesque girls under the tutelage of his profane grandfather. A few years later, he was bellhopping at a hotel in Fort Worth, where he supplemented his income peddling bootleg out of the package room. He shuddered out the DTs as a watchman on a West Texas oil pipeline. He outraged teachers, cheated mobsters, and almost got himself beaten to death by a homicidal sheriff's deputy. And somewhere along the way, Thompson became one of the greatest crime writers America has ever known.

    In this uproarious autobiographical tale, the author of After Dark, My Sweet and Pop. 1280 tells the story of his chaotic coming of age and reveals just where he acquired his encyclopedic knowledge of human misbehavior. Bad Boy is a bawdy, brawling book of reprobates--and an unfettered portrait of a writer growing up in the Southwest of the Roaring Twenties.

  • Savage Night (1953)
    Is Carl Bigelow a fresh-faced college kid looking for a room, or is he a poised hit man tracking down his victim? And if Carl is really two people, what about everyone around him? Savage Night is Thompson at his best, with plot reversals and nightmarish shifts of identity.

  • The Criminal (1953)
    A teenage girl is raped and murdered. A father turns his back on his son. A vicious press lord turns justice into a carnival. A terrified boy is railroaded. In the twisted world of Jim Thompson, everyone is guilty, and the worst crimes are unpunishable.

  • The Killer Inside Me (1952)
    Buy the movie: 
    VHS
    Lou Ford is the deputy sheriff of a small town in Texas.  The worst thing most people can say against him is that he's a little slow and a little boring.  But, then, most people don't know about the sickness--the sickness that almost got Lou put away when he was younger.  The sickness that is about to surface again.

  • Cropper's Cabin (1952)
    For Tommy Carver, a short-tempered Okie sharecropper penned up in a sweltering cabin with a brutal father and a stepmother whose affection is anything but maternal, the question isn't when he'll explode, but who he'll take with him when he does.

  • Nothing More Than Murder (1949)
    Joe Wilmot has the nicest movie theatre in his area. Sure it wasn't a major city, but it was something he had built up. The Barclay Theatre still carries his wife's maiden name, but it didn't bother him much—not too much at all. His wife Elizabeth was always fouling things up and Joe was always fixing things. Sure, a few people lost out in their dealing with Joe, but what the hey, this was business. And one thing Joe had learned growing up in the orphanage was that you got to look out for number one. But now Joe has fallen, quite inexplicably, for the new housekeeper, Carol. When Elizabeth finds out about Joe and Carol, she devises a plan to give them all what they want. Unfortunately, for the plan to work, it means someone is going to have to pay with their life. And if the plan unravels, they may all have to pay with their lives!

  • Heed the Thunder (1946)
    Old Lincoln Fargo has spent his life engaging in almost every vice imaginable--and his only regret is that he once stole a horse. His son Grant, a shiftless dandy with a resemblance to Edgar Allan Poe, is conducting an affair with his voluptuous and volatile cousin. And behind everyone's back, Grandmother Pearl has just signed the family property over to the Almighty.

    In the literature of the American prairie, few families are as brawling, as benighted, or as outrageously vital as the Fargos of Verdon, Nebraska. And when Jim Thompson chronicles their life and times, the result suggest Willa Cather steeped in rotguut--and armed with a .45.

  • Now and On Earth (1942)
    America's low-key high priest of human vice and violently wounded psyches, Jim Thompson emerged from the darkness with this his first novel. Now and On Earth is proof that Thompson has always been the bleak and compassionate teller of tawdry terror that critics and fans have come to treasure. Amid the fresh landscape and smooth illusions of wartime California a young bellboy is tipped into a world too rich in corruption. A lonely down-and-out writer tries to finish just one more book before the bottle finishes him off first. A worn out and tumbling Okie family, displaced and depressed, tries to hold on to the coarse edge of destruction at the end of the road. Thompson takes these characters and imbues them with a disgruntled grace and disillusion that perfectly echoes the dark sinking sensation that American prosperity was built on.

  • Always to Be Blessed (1932)
    Lost novel.

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