Affiliates
| Works by
Joseph Wambaugh (Writer)
[1937 - ] |
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Profile created November 8, 2006
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The New Centurions (1971)
Movie, The Black Marble (1981)
DVD
VHS
The Blue Knight (1972)
He's big and brash. His beat is the underbelly of Los Angeles vice--a
world of pimps, pushers, winos, whores and killers. He lives each day his
way--on the razor's edge of life. He was a damn good cop and LAPD
detective. For fifteen years he prowled the streets, solved murders, took
his lumps. Now he's the hard hitting, tough talking best selling
writer who tells the brutal, true stories of the men who risk their
loves every time a siren screams.
The Choirboys (1975)
The Black Marble (1978)
He is a damned good cop -- a burned-out homicide detective wrapped around
a Smith & Wesson .38 and a vodka bottle. She is his partner -- twice
divorced, nursing a grudge against men, obsessed by the awful temptation
of love.
The Glitter Dome (1981)
The Delta Star (1983)
The Secrets of Harry Bright (1985)
The Golden Orange (1990)
When forty-year-old cop Winnie Farlowe lost his shield, he lost the only
protection he had. Ever since, he's been fighting a bad back, fighting
the bottle, fighting his conscience. But now he's in for a special
fight. Never before has he come up against anyone like Tess Binder. She's
a stunningly beautiful, sexually spirited three-time divorcee from
Newport Beach--capital of California's Golden Orange, where wallets are
fat, bikinis are skimpy, and cosmetic surgery is one sure way to
a billionaire's bank account. Nearly a year ago Tess Binder's father
washed up on the beach with a bullet in his ear. The coroner called it
suicide, but to Tess it means the fear of her own fate. And Winnie
Farlowe is a man willing to follow wherever she leads--straight into the
juicy pulp of the Golden Orange, a world where money is everything,
but nothing adds up . . . where death and chicanery flourish amidst
ranches, mansions, and yachting parties. In his long-awaited new novel,
best-selling author Joseph Wambaugh combines harrowing
suspense, scathing humor, and a moving portrait of a man on the brink
of self-destruction.
Fugitive Nights (1992)
Finnegan's Week (1994)
Floaters (1996)
Who else but Joseph Wambaugh could write "a joy, a hoot, a riot of a book"
that is also acclaimed as "one of this season's best crime novels"? That's
how
The New York Times Book Review and Time, respectively,
described his last novel, Finnegan's Week. Nobody writes a faster,
funnier, more satisfying tale of cops and criminals, the high life and
lowlifes that Wambaugh--and Floaters is his sharpest yet.
Mick Fortney and his partner Leeds manage to cruise above the standard
police stress-pools of coffee and Pepto-Bismol l-- they're water cops in
the "Club Harbor Unit," manning a patrol boat on San Diego's Mission Bay.
A typically rough day's detail consists of scoping out body-sculpted
beauties on pleasure craft, rescuing boating bozos who've run aground,
jeering at lifeguards, and hauling in the occasional floater who comes to
the surface.
But now their days are anything but typical, because the America's Cup
international sailing regattas have come to town and suddenly San Diego is
swarming with yacht crazies of every nationality, the cuppies who want to
love them, and the looky-look tourists, racing spies, scam artists, and
hookers who all want their piece of the action. It's the outstanding body
and jaunty smile--full of mischief, full of hell--of one cuppie, a
particularly fiery redhead named Blaze, that gets Leeds and Fortney's
attention. First Leeds drowns in frustratingly unrequited boozy love from
afar. Then, with her increasingly odd behavior, Blaze tweaks every one of
their cop instincts, alerting them that something's not quite right on the
waterfront.
Indeed, Blaze will soon lead Detective Anne Zorn and Mick Fortney along a
bizarre criminal trail that would be hilarious if it didn't wind up just
as nasty as it gets, with a pair of murders right on the eve of the
biggest sailing race of all.
Filled with all of Joseph Wambaugh's trademark skills--laugh-out-loud
writing, crackling dialogue, outrageous excitement, and, of course, plenty
of raunchy
veteran cops who leap off the page--Floaters is Wambaugh at the
very to of his form.
Hollywood Station (2006)
They call their sergeant the Oracle. He's a seasoned LAPD veteran who
keeps a close watch over his squad from his understaffed office at
Hollywood Station. They are: Budgie Polk, a 27-year-old firecracker who's
begrudgingly teamed with Fausto Gamboa, the oldest, tetchiest patrol
officer. Andi McCrea, a single mom who spends her days studying at the
local community college. Wesley Drubb, a USC drop-out who joined the force
to see some action. Flotsam and Jetsam, two aptly named surfer boys who
pine after the petite, but intrepid, Meg Takara. And Hank Driscoll, the
one who never shuts up. Together they spend their days and nights in the
city's underbelly, where a string of seemingly unrelated events lures the
cops of Hollywood Station to their most startling case yet: Russians,
diamonds, counterfeiting, grenadesa reminder that nothing's too horrific
or twisted for Los Angeles. Here, it's business as usual. For the first
time in 20 years, Wambaugh revisits the kind of story he tells best: life
in the LAPD. Not only have his fans been waiting for this comeback, but
readers of the new generation of crime writing will have great interest in
this book.
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