Affiliates
| Works by
Kurt Vonnegut, Jr. (Writer)
[1922 - 2007] |
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Slapstick/Mother Night (1979)
Cassette
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Essential Vonnegut Interviews CD (2006)
Over the course of Kurt Vonnegut's career as a writer, he sat
down many times with radio host and interviewer Walter James Miller to
conduct in-depth discussions of his work and the world. Now Caedmon has
collected the best of these interviews on CD for the first time. This is
the perfect audio collection for the Vonnegut fan who wants to
understand the writer as he was, is, and will be.
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Canary in a Cat House (1961)
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5 by Kurt Vonnegut, Jr. (1961)
Cats Cradle, The Sirens of Titan, God Bless You Mr.
Rosewater, Welcome To The Monkey House, Slaughter
House Five
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Welcome to the Monkey House (1968)
Welcome To The Monkey House
is a collection of Kurt Vonnueguts shorter works. Originally printed
in publications as diverse as The Magazine of Fantasy and Science
fiction and The Atlantic Monthly, what these superb
stories share is Vonnegut's audacious sense of humor and
extraordinary range of creative vision.
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Kurt Vonnegut: Three Complete Novels (1980)
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Vonnegut Omnibus (1994)
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Bagombo Snuff Box (1999)
In the 1950s and early 1960s, before television reigned
preeminent, Kurt Vonnegut's short stories appeared frequently in
popular magazines such as The Saturday Evening post, Collier's and
Argosy. Filled with unforgettable characters, humor and satire,
these stories offer a rare glimpse into a developing master of
fiction.
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Player Piano (1952)
Vonnegut’s first novel spins the chilling tale of engineer
Paul Proteus, who must find a way to live in a world dominated by a
super computer and run completely by machines. Paul’s rebellion is
vintage Vonnegut–wildly funny, deadly serious, and terrifyingly
close to reality.
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Utopia 14 (1954)
Man's revolt against a glittering, mechanized
tomorrow.
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The Sirens of Titan (1959)
The richest and most depraved man on Earth takes a wild space
journey to distant worlds, learning about the purpose of human life
along the way.
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Mother Night (1962)
Mother Night
is a daring challenge to our moral sense.
American Howard W. Campbell, Jr., a spy during World War II, is now
on trial in Israel as a Nazi war criminal. But is he really guilty?
In this brilliant book rife with true gallows humor, Vonnegut turns
black and white into a chilling shade of gray with a verdict that
will haunt us all.
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Cat's Cradle (1963)
Cat's Cradle is Vonnegut's satirical commentary on
modern man and his madness. An apocalyptic tale of this planet's
ultimate fate, it features a midget as the protagonist; a complete,
original theology created by a calypso singer; and a vision of the
future that is at once blackly fatalistic and hilariously funny. A
book that left an indelible mark on an entire generation of readers.
Cat's Cradle is one of this century's most important works...
and Vonnegut at his very best.
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God Bless You, Mr. Rosewater (1965)
God Bless You, Mr. Rosewater is a comic masterpice. Eliot
Rosewater, drunk, volunteer fireman, and president of the fabulously
rich Rosewater foundation, is about to attempt a noble experiment
with human nature... with a little help from writer Kilgore
Trout. The result is Vonnegut's funniest satire, an etched-in-acid
portrayal of the greed, hypocrisy, and follies of the flesh we are
all heir to.
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Slaughterhouse-Five (1969)
Slaughterhous-Five is one of the world's great
anti-war books. Centering on the infamous fire-bombing of Dresden,
Billy Pilgrim's odyssey through time reflects the mythic
journey of our own fractured lives as we search for meaning in
what we are afraid to know.
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Breakfast of Champions (1973)
Breakfast Of Champions is vintage Vonnegut. One of his
favorite characters, aging writer Kilgore Trout, finds to his horror
that a Midwest car dealer is taking his fiction as truth. The result
is murderously funny satire as Vonnegut looks at war, sex, racism,
success, politics, and pollution in America and reminds us how to
see the truth.
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SlapsticK: Or Lonesome No More! (1976)
Slapstick presents an apocalyptic vision seen through the
eyes of the current King of Manhattan (and last President of the
United States), a wickedly irreverent look at the all-too-possible
results of today's follies. But even the end of life-as-we-know-it
is transformed by Vonnegut's pen into hilarious farce--a final
slapstick that may be the Almighty's joke on us all.
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Jailbird (1979)
Jailbird takes us into a fractured and comic, pure
Vonnegut world of high crimes and misdemeanors in government...and
in the heart. This wry tale follows bumbling bureaucrat Walter F.
Starbuck from Harvard to the Nixon White House to the penitentary as
Watergate's least known co-conspirator. But the humor turns dark
when Vonnegut shines his spotlight on the cold hearts and calculated
greed of the mighty, giving a razor-sharp edge to an unforgettable
portrait of power and politics in our times.
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Deadeye Dick (1982)
Deadeye Dick
is Vonnegut's funny, chillingly satirical
look at the death of innocence. Amid a true Vonnegutian host of
horrors–a double murder, a fatal dose of radioactivity, a
decapitation, an annihilation of a city by a neutron bomb–Rudy
Waltz, a.k.a. Deadeye Dick, takes us along on a zany search for
absolution and happiness. Here is a tale of crime and punishment
that makes us rethink what we believe...and who we say we are.
Galapagos (1985)
Galápagos takes the reader back one million years, to
a.d. 1986. A simple vacation cruise suddenly becomes an evolutionary
journey. Thanks to an apocalypse, a small group of survivors
stranded on the Galápagos Islands are about to become the
progenitors of a brave new, and totally different human race. Here,
America’s master satirist looks at our world and shows us all that
is sadly, madly awry–and all that is worth saving.
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Bluebeard (1987)
An old man recounts his past to a voluptuous widow, revealing
man's compulsion to create and destroy what he loves.
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Hocus Pocus (1990)
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Timequake (1997)
There's been a timequake. And everyone--even you--must live
the decade between February 17, 1991 and February 17, 2001 over
again. The trick is that we all have to do exactly the same things
as we did the first time--minute by minute, hour by hour, year by
year, betting on the wrong horse again, marrying the wrong person
again. Why? You'll have to ask the old science fiction writer,
Kilgore Trout. This was all his idea.
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God Bless You, Dr. Kevorkian (2000)
In what began as a series of quirkily characteristic
ninety-second interludes for New York's public radio station, Kurt
Vonnegut asks, on behalf of us all, the Big Questions. Could death
be a quality? A place? Not an ending but an occurrence that changes
those to whom it happens?
As a "reporter on the afterlife," Vonnegut bravely allows himself to
be strapped to a gurney by his friend Jack Kevorkian and dispatched
round-trip to the Pearly Gates. Or at least that's what he claims in
the introduction to these thirty-odd comic and irreverent
"interviews" with the likes of William Shakespeare, Adolf Hitler,
and Clarence Darrow, bringing readers to an entirely new place -- a
place to which only Vonnegut could bring us.
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Between Time and Timbuktu Or Prometheus 5 (1972)
A space fantasy
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Wampeters, Foma & Granfalloons (1974)
Wampeters, Foma & Granfalloons is a rare
opportunity to experience Kurt Vonnegut speaking in his own voice
about his own life, his views of the world, his writing, and the
writing of others. An indignant, outrageous, always witty, and
deeply felt collection of reviews, essays, and speeches, this work
is a window not only into Vonnegut’s mind...but also into his heart.
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Sun, Moon, Star (1980) with Ivan Chermayeff, Illustrator
When the Creator of the universe came to Earth, It resolved
to be born a male human infant, and this is what It saw when It
opened Its eyes.
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Palm Sunday: An Autobiographical Collage (1981)
Palm Sunday is a self-portrait by an American genius.
Vonnegut writes with beguiling wit and poignant wisdom about his
favorite comedians, country music, a dead friend, a dead marriage,
and various cockamamie aspects of his all-too human journey through
life. It is a work that resonates with Vonnegut’s singular voice:
the magic sound of a born-story teller mesmerizing us with truth.
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Nothing is Lost Save Honor
(1984) with David Levine, ed.
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Fates Worse Than Death: An Autobiographical Collage (1991)
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A Man Without a Country (2005)
A Man Without a Country is Kurt Vonnegut's hilarious and
razor-sharp look at life ("If I die-God forbid-I would like to go to
heaven to ask somebody in charge up there, 'Hey, what was the good
news and what was the bad news?'"), art ("To practice any art, no
matter how well or badly, is a way to make your soul grow. So do
it."), politics ("I asked former Yankees pitcher Jim Bouton what he
thought of our great victory over Iraq and he said, 'Mohammed Ali
versus Mr. Rogers.'"), and the condition of the soul of America
today ("What has happened to us?"). Gleaned from short essays and
speeches composed over the last five years and plentifully
illustrated with artwork by the author throughout, A Man Without
a Country gives us Vonnegut both speaking out with indignation
and writing tenderly to his fellow Americans, sometimes joking, at
other times hopeless, always searching.
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Happy Birthday, Wanda June (1973)
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Cover: Wampeters, Foma & Granfalloons
(1974), Cover art by Kurt Vennegut
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The Vonnegut Encyclopedia: An Authorized Compendium (1994) by Marc Leeds
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Treks Not Taken: What If Stephen King, Anne Rice, Kurt Vonnegut, and Other Literary Greats Had Written Episodes of Star Trek: The Next Generation? (1998) by Steven R. Boyett
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Like Shaking Hands With God: A Conversation About Writing (1999)
by Kurt Vonnegut Jr. and Lee Stringer
On October 1, 1998, Kurt Vonnegut and Lee Stringer spoke in front of
several hundred enthralled fans at a New York City bookstore. During
the course of that magical evening, the conversation touched on the
process of writing, being a writer, as well as what it means to be
human. This little book proves that these two writers are as
articulate and moving on the printed page as they are in person.
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At Millennium's End: New Essays on the Work of Kurt Vonnegut (2001), Kevin A. Boon,
ed.
At Millennium's End looks back over the body of Kurt Vonnegut's
writing, examining the novels, essays, and short stories of one of
the century's most beloved and widely read authors and social
critics. It also looks forward, projecting Vonnegut's relevance to
the next millennium. The essays, by noted Vonnegut scholars and
personal friends, are each written from the perspective of someone
familiar with Vonnegut's entire canon.
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Kurt Vonnegut: A Critical Companion (2002) by Thomas F.
Marvin
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