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Margo Jefferson (Writer) |
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Profile created March 8, 2007 |
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Roots of Time: A Portrait of African Life and Culture
(1974) with Elliott P. Skinner and Jerry
Pinckney, Illustrator
Discusses various aspects of birth, childhood,
economics, marriage, family relationships, politics, society, religion,
and art common to many native African people.
On Michael Jackson (2006)
Michael Jackson was once universally acclaimed as a
song-and-dance man of genius; Wacko Jacko is now, more often than not,
dismissed for his bizarre race and gender transformations and confounding
antics, even as he is commonly reviled for the child molestation charges
twice brought against him. Whence the weirdness and alleged criminality?
How to account for Michael Jackson’s rise and fall? In On Michael
Jackson—an at once passionate, incisive, and bracing work of cultural
analysis—Pulitzer Prize–winning critic for The New York Times Margo
Jefferson brilliantly unravels the complexities of one of the most
enigmatic figures of our time.
Who is Michael Jackson and what does it mean to call him a “What Is It”?
What do P. T. Barnum, Peter Pan, and Edgar Allan Poe have to do with our
fascination with Jackson? How did his curious Victorian upbringing and his
tenure as a child prodigy on the “chitlin’ circuit” inform his character
and multiplicity of selves? How is Michael Jackson’s celebrity related to
the outrageous popularity of nineteenth-century minstrelsy? What is the
perverse appeal of child stars for grown-ups and what is the price of such
stardom for these children and for us? What uncanniness provoked Michael
Jackson to become “Alone of All His Race, Alone of All Her Sex,” while
establishing himself as an undeniably great performer with neo-Gothic,
dandy proclivities and a producer of visionary music videos? What do we
find so unnerving about Michael Jackson’s presumed monstrosity? In short,
how are we all of us implicated?
In her stunning first book, Margo Jefferson gives us the incontrovertible
lowdown on call-him-what-you-wish; she offers a powerful reckoning with a
quintessential, richly allusive signifier of American society and popular
culture.
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