Affiliates
| Works by
Rita Dove (Poet, Former U.S. Poet
Laureate)
[August 28, 1952 - ]
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http://people.virginia.edu/~rfd4b Profile created October 14, 2009
Updated November 3, 2009
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Through the Ivory Gate
(1992)
A debut novel by the 1987 winner of the Pulitzer
Prize for poetry. When a woman returns to her Midwestern hometown as an
artist-in-residence to teach puppetry to schoolchildren, her homecoming
also means dealing with memories of racism, rejected love--and truths
about her family. Author readings.
Sonata Mulattica
(April 6, 2009)
In a book-length lyric narrative inspired by history and imagination, a
much celebrated poet re-creates the life of a nineteenth-century virtuoso
violinist. The son of a white woman and an “African Prince,” George
Polgreen Bridgetower (1780–1860) travels to Vienna to meet “bad-boy”
genius Ludwig van Beethoven. The great composer’s subsequent sonata is
originally dedicated to the young mulatto, but George, exuberant with
acclaim, offends Beethoven over a woman. From this crucial encounter
evolves a grandiose yet melancholy poetic tale.
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American Smooth
(2004)
An occasion to celebrate: a new collection by the
Pulitzer Prize-winning former poet laureate; her first since On the Bus
with Rosa Parks. With the grace of an Astaire, Rita Dove's magnificent
poems pay homage to our kaleidoscopic cultural heritage; from the glorious
shimmer of an operatic soprano to Bessie Smith's mournful wail; from
paradise lost to angel food cake; from hotshots at the local shooting
range to the Negro jazz band in World War I whose music conquered Europe
before the Allied advance. Like the ballroom-dancing couple of the title
poem, smiling and making the difficult seem effortless, Dove explores the
shifting surfaces between perception and intimation. .
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On the Bus with Rosa Parks
(1999) -- Finalist for the National Book Critics Circle Award
A dazzling new collection by a much-celebrated
former Poet Laureate of the United States. In these brilliant poems, Rita
Dove treats us to a panoply of human endeavor, shot through with the
electrifying jazz of her lyric elegance. From the opening sequence,
"Cameos," which probes the private griefs and dreams of a working-class
family, to the emblematic grace of a living legend like Rosa Parks, who
acquiesced to public life in order to "serve the public good," these poems
explore the intersection of individual fates with the grand arc of
history. If there are heroes, Dove maintains, they continually reinvent
themselves, as each of us must do every morning. As always with Rita Dove,
there are stories --ghost tales and cautionary allegories ("The Camel
Comes to Us from the Barbarians"), anecdotes and the historical moment
reexamined ("The Enactment"). We get the lowdown nitty-gritty from a
jitterbug queen ("Black on a Saturday Nightz"), eavesdrop on a child's
whisperings ("I Cut My Finger Once on Purpose"), and experience the
awakening of a bored teenager to the world of books. Whether parable or
meditation, confession or praise, these poems remind us just how
infinitely various a creature the human being is.
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Mother Love
(1995)
Calling upon the ancient Greek myth of Demeter and
Persephone, Mother Love examines the love between mother and daughter, two
tumblers locked in an eternal somersault: each mother a daughter, each
daughter a potential mother.
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Selected Poems
(1993)
Here in one volume is a selection of the
extraordinary poems of Rita Dove, who, as the nation's Poet Laureate from
1993 to 1995, brought poetry into the lives of millions of people. Along
with a new introduction and poem, Selected Poems comprises Dove's
collections The Yellow House on the Corner, which includes a group
of poems devoted to the themes of slavery and freedom; Museum,
intimate ruminations on home and the world; and finally, Thomas and
Beulah, winner of the Pulitzer Prize in 1987, a verse cycle loosely
based on her grandparents' lives. Precisely yet intensely felt, resonant
with the voices of ordinary people, Rita Dove's Selected Poems is
marked by lyric intensity and compassionate storytelling.
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Grace Notes
(1989)
With this her fourth book of poems, Rita Dove
expands her role as a leading voice in contemporary American letters. The
title of the collection serves as an umbrella for the intimate concerns
expressed in the forty-eight poems; in music, grace notes are those added
to the basic melody, the embellishments that—if played or sung at the
right moment with just the right touch—can break your heart.
Isn't this what every lyric poem wishes to be, the poet asks as she
explored autobiographical events, most from childhood and the cusp of
adolescence, and then turns to the shadowy areas of regret and memory. The
word as talisman is another of her concerns, and finally, in the section
that most typifies the lilt of grace notes, Dove considers the
embellishments below the melody of daily life.
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Thomas and Beulah
(1986) -- Winner 1987
Pulitzer
Prize for Poetry
"The poems in this unusual book tell a story,
forming a narrative almost like a realistic novel. Read in sequence as
intended, they tell of the lives of a married black couple (not unlike
Dove's own grandparents) from the early part of the century until their
deaths in the 1960s, a period that spans the great migration of blacks
from rural south to urban north. But this is merely the social backdrop to
the story of a marriage. Two separate sequences offer two views of the
couple's lives: the first, "Mandolin," consists of 23 poems giving
Thomas's side, and "Canary in Bloom" gives Beulah's in 21 poems. Together
they paint a detailed, poetically dense portrait of two lives in all their
frailty, dignity and complexity." --
Amazon.com
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Museum
(1983)
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The Yellow House on the Corner
(1980)
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