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Works by Sylvie Gilbert (Curator, Writer)Email:
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March 4, 2005 Search Amazon for Sylvie Gilbert Artists & Art
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Clay Between My Fingers (1994)
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Questions of Community: Artists, Audiences, Coalitions (1998) by
Daina Augaitis, Lorne Falk, Mary Anne Moser, and Sylvie
Gilbert
Stronger artist alliances, skepticism about
institutions, and awareness of new audiences have all contributed to a
reevaluation of what works and what doesn't for artists striving towards
social change. In this timely anthology, over twenty writers and artists share
their experiences in a range of Canadian contexts. From First Nations
coalitions to artist mentoring programs, important art projects are analyzed.
Several theorists offer additional insights into the broader issues shaping
activist art practices. Offering years of collective experience, this book is
essential reading for understanding arts activism in Canada.
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Arousing Sensation: A Case Study of Controversy Surrounding Art
and the Erotic (1999) by Sylvie Gilbert
This publication was developed following a controversial
exhibit that appeared at the Walter Phillips Gallery in 1992. In Much Sense:
Erotics and Life, the artists explored ideas about sexuality, expressing frank
viewpoints on topics such as body image and gay and lesbian sexuality. In the
months following the opening, politicians, the media, and coalitions of arts
organizations engaged in a rancorous debate, alternately battering and
boosting The Banff Centre and its support of the exhibition. Arousing
Sensation supports freedom of expression for both sides of the controversy,
with full text media clippings chronicling a public debate about freedom of
expression, funding for the arts, censorship, sexuality, political
responsibility, and journalistic integrity. The book offers a unique case
study of the role the media plays in public debates.
See also:
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Naming a Practice: Curatorial Strategies for the Future
(1996) by Peter White
This publication features the proceedings of the Naming
a Practice: Curatorial Strategies for the Future seminar that originated as an
independent project within the Canadian curatorial community to provide a
forum on curating in the visual arts. Organized in cooperation with the Walter
Phillips Gallery and The Banff Centre, the event took place in November 1994.
This publication documents the seminar, following the format of the event
itself, and features transcripts of the formal presentations of each of the 29
participants, portions of the general discussion, as well as brief
commentaries by each of the seminar organizers. The essays are grouped to
address such topics as: "Methodologies," "Negotiations" and "Ethics," as well
as "Local Knowledge and New Internationalism."
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