Affiliates
| Works by
Countee Cullen (Poet)
[1904 - 1946) |
Profile created December 28, 2006 |
Anthologies
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Caroling Dusk: An Anthology of Verse by Black Poets of the Twenties (1927)
This selection from the work of thirty-eight poets was made by Countee
Cullen in 1927. His stated purpose at the time was to bring together a
miscellany of deeply appreciated but scattered verse. Beginning with the
work of Paul Laurence Dunbar, who, though there were black poets before him,
is generally credited as the first black poet to make a deep impression on
the literary world, the book includes the writings of James Weldon Johnson,
W. E. B. Du Bois, Jessie Faucet, Sterling A. Brown, Arna Bontemps, Langston
Hughes, and Countee Cullen himself, to name only a few.
Each poem includes poignant biographical notes written by
the poets themselves, with the exception of the notes on Dunbar (written
by his wife), Joseph S. Cotter, Jr. (written by his father), and Lula
Weeden (written by her mother).
Most of the poets became well known and widely published
in the years that followed. These poems remain powerful statements of what
it means to be human, whatever the race.
Long out of print, "Caroling Dusk" is a valuable addition
to the body of black literature. This is the first time the anthology has
appeared in a paperback edition.
See also:
The Negro American's Interpretation of Life as Revealed in Contemporary Negro American Poetry (Date?) by
Mary Jane Hartman
Survey Graphic: Harlem Mecca of the New Negro (March 1925) by Alain Locke (1925)
"This reproduction of a groundbreaking issue of the
social-science magazine Survey Graphic contains some of the seminal
writings of the Harlem Renaissance. The magazine was compiled and edited
by Alain Locke, a pioneering black Rhodes scholar and graduate of Harvard,
Oxford, and Berlin Universities who later taught at Howard University.
Locke's triumphant essay "Enter the New Negro" articulates the political,
scientific, and artistic strivings of the Afro-American in Harlem. Other
contributions include Countee Cullen's
eternal poem "Heritage," a short story by W.E.B. Du Bois, and historian
Arturo Schomburg's ancestral call to arms, "The Negro Digs Up His Past."
These writings, and the dignified portraits of famous and nonfamous
Negroes by German artist Winold Reiss, make this document a timeless
testimony to black achievement. --Eugene Holley, Jr." --
Amazon.com
Roots of Negro Racial Consciousness: The 1920's, Three Harlem Renaissance Authors (1964) by Stephen H Bronz
Countee Cullen and the Negro Renaissance (1966)
Native Sons: A Critical Study of Twentieth-Century Negro American Authors
(1968) by Edward Margolies
A Bio-Bibliography of Countee P. Cullen, 1903-1946 (1970) by
Margaret Perry
A long essay on "The Man and His Poetry" plus extensive bibliography of
Cullen's major writings, writings about Cullen, including newspaper
references, and poetry anthologies in which Cullen's work appeared.
In a Minor Chord: Three Afro-American Writers and their Search for Identity (1971) by Darwin T. Turner
Black Poets of the United States: From Paul Laurence Dunbar to Langston Hughes (1973) by Jean Wagner
with Kenneth Douglas, Illustrator
Many-Colored Coat of Dreams: The Poetry of Countee Cullen (1974) by
Houston Baker
Black Poetry in America (1974) by Blyden Jackson and
Louis D. Rubin
Guide to the Microfilm Edition of the Countee Cullen Papers, 1921-1969 (1975) by Florence E Borders
Harlem Renaissance: An Annotated Bibliography (1981) by
Margaret Perry
Countee Cullen (1984) by Alan R. Shucard
Modernism and the Harlem Renaissance (1987) by Houston A.
Baker Jr. (1987)
Countee Cullen: Poet (1995) by B. Marvis and Nathan I.
Huggins
World Authors: 1900-1950 (1996) by Andrew C. Kimmens and Martin Seymour-Smith,
eds.
The Atlas of Literature (1996) by Malcolm Bradbury (1996)
See especially the chapter on Harlem Renaissance.
Pride and Promise: The Harlem Renaissance (1997), Kathryn Cryan-Hicks,
ed.
Critical Essays: Achebe, Baldwin, Cullen, Ngugi, and
Tutuola
(1999) by Sydney E. Onyeberechi
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