• Genet: A Biography (1993) -- Winner 1993 Lambda Literary Award for Gay Men's Biography/Autobiography
  A meticulously researched biography of Jean Genet, one of France's most notorious writers. Acclaimed novelist and essayist Edmund White illuminates Genet's experiences in the worlds of crime, homosexuality, politics, and high culture, and gives a compelling analysis of Genet's plays, novels, and essays. Winner of the National Book Critics Circle Award for Biography.

• Marcel Proust (1999)
  Marcel Proust, now enjoying a major renaissance, has at last found a biographer who himself once produced the "finest French novel written in English" (The Nation). For Edmund White--author of an award-winning biography of Jean Genet and of the classic gay novel A Boy's Own Story, and known for his own haunting evocation of times past--this portrait is the exquisite expression of a lifetime spent contemplating Proust. Proust teaches us to truly savor the master's delicate perfection of style and his strange, charismatic personality--not just the recluse obsessively rewriting his one massive work through the night, but the yearning, lonely boy; the dazzling wit and darling of Parisian salons; the seeker of fame; and the unhappy closeted homosexual whom this book is the first to explore openly. From the frothiest gossip to the deepest angst, here is a gem to be treasured not only by literati and students, but by anyone looking for an introduction to an enduring genius.

• My Lives (2006)
  No one has been more frank, lucid, rueful and entertaining about growing up gay in Middle America than Edmund White. Best known for his autobiographical novels, starting with A Boy's Own Story, White here takes fiction out of his story and delivers the facts of his life in all their shocking and absorbing verity.

  From an adolescence in the 1950s, an era that tried to "cure his homosexuality" but found him "unsalvageable," he emerged into a 1960s society that redesignated his orientation as "acceptable (nearly)." He describes a life touched by psychotherapy in every decade, starting with his flamboyant and demanding therapist mother, who considered him her own personal test case -- and personal escort to cocktail lounges after her divorce. His father thought that even wearing a wristwatch was effeminate, though custodial visits to Dad in Cincinnati inadvertently initiated White into the culture of "hustlers and johns" that changed his life.

  In My Lives, White shares his enthusiasms and his passions -- for Paris, for London, for Jean Genet -- and introduces us to his lovers and predilections, past and present. "Now that I'm sixty-five," writes White, "I think this is a good moment to write a memoir. . . . Sixty-five is the right time for casting a backward glance, while one is still fully engaged in one's life."

• Fanny: A Fiction (2003)
  In her fifties, Mrs. Frances Trollope became famous overnight for her book attacking the United States. Twenty-five years later, she sharpens her pen for her most controversial work yet -- the biography of her old friend, the radical and feminist Fanny Wright. She recalls the 1820s when the young Fanny erupted into the Trollopes' sleepy English cottage like a volcano, her red hair flying, her talk aflame with utopian ideals. Before long, Wright has convinced Frances to follow her to America, a journey of extreme penury, frontier hardships, and the most satisfying sensual romance of Frances Trollope's life.

  The biography soon degenerates into a settling of scores and digressions on the misadventures of Mrs. Trollope's own family. By turns noble and petty, comic and tragic, it introduces us to literary lions, battling political theorists, gamblers and escaped slaves, and even the aging General Lafayette and Thomas Jefferson. With hallucinatory realism, Mrs. Trollope paints French châteaux, Belgian fogs, Mississippi mud, and the gaudy splendors and cruelties of Haiti. And throughout this sparkling narrative, we find love in all its forms -- in the family, between races and generations, and within the same sex.

  Fanny: A Fiction is a wonderful new departure for Edmund White -- a quirky, dazzling story of two extraordinary nineteenth-century women, and a vibrant, questioning exploration of the nature of idealism, the clay feet of heroes, and the illusory power of the American dream.

• The Married Man (2000)
  In Edmund White's most moving novel yet, an American living in Paris finds his life transformed by an unexpected love affair.
  
  Austin Smith is pushing fifty, loveless and drifting, until one day he meets Julien, a much younger, married Frenchman. In the beginning, the lovers' only impediments are the comic clashes of culture, age, and temperament. Before long, however, the past begins to catch up with them. In a desperate quest to save health and happiness, they move from Venice to Key West, from Montreal in the snow to Providence in the rain. But it is amid the bleak, baking sands of the Sahara that their love is pushed to its ultimate crisis.

• The Farewell Symphony (1997)
  Following A Boy's Own Story (now a classic of American fiction) and his richly acclaimed The Beautiful Room Is Empty, here is the eagerly awaited final volume of Edmund White's groundbreaking autobiographical trilogy.
  
  Named for the work by Haydn in which the instrumentalists leave the stage one after another until only a single violin remains playing, this is the story of a man who has outlived most of his friends. Having reached the six-month anniversary of his lover's death, he embarks on a journey of remembrance that will recount his struggle to become a writer and his discovery of what it means to be a gay man. His witty, conversational narrative transports us from the 1960s to the near present, from starkly erotic scenes in the back rooms of New York clubs to episodes of rarefied hilarity in the salons of Paris to moments of family truth in the American Midwest. Along the way, a breathtaking variety of personal connections--and near misses--slowly builds an awareness of the transformative power of genuine friendship, of love and loss, culminating in an indelible experience with a dying man. And as the flow of memory carries us across time, space and society, one man's magnificently realized story grows to encompass an entire generation.
  
  Sublimely funny yet elegiac, full of unsparingly trenchant social observation yet infused with wisdom and a deeply felt compassion, The Farewell Symphony is a triumph of reflection and expressive elegance. It is also a stunning and wholly original panorama of gay life over the past thirty years--the crowning achievement of one of our finest writers.

• Forgetting Elena (1994)


Combining glittering wit, an atmosphere dense in social paranoia, and a breathtaking elegance and precision of language, White's first novel suggests a hilarious apotheosis of the comedy of manners. For, on the privileged island community where Forgetting Elena takes place, manners are everything. Or so it seems to White's excruciatingly self-conscious young narrator who desperately wants to be accepted in this world where everything from one's bathroom habits to the composition of "spontaneous" poetry is subject to rigid conventions.

• The Beautiful Room Is Empty  (1988) -- Winner 2002 Lambda Literary Award for Male Fiction and #82 of the 100 Best Gay and Lesbian Novels.


When the narrator of White's poised yet scalding autobiographical novel first embarks on his sexual odyssey, it is the 1950s, and America is "a big gray country of families on drowsy holiday." That country has no room for a scholarly teenager with guilty but insatiable stirrings toward other men. Moving from a Midwestern college to the Stonewall Tavern on the night of the first gay uprising--and populated by eloquent queens, butch poseurs, and a fearfully incompetent shrink--The Beautiful Room is Empty conflates the acts of coming out and coming of age.

• Caracole (1985)
  In French caracole means "prancing"; in English, "caper." Both words perfectly describe this high-spirited erotic adventure. In Caracole, White invents an entire world where country gentry languish in decaying mansions and foppish intellectuals exchange lovers and gossip in an occupied city that resembles both Paris under the Nazis and 1980s New York. To that city comes Gabriel, an awkward boy from the provinces whose social naïveté and sexual ardor make him endlessly attractive to a variety of patrons and paramours.

• A Boy's Own Story (1982) -- #14 of the 100 Best Gay and Lesbian Novels
  A Boy's Own Story, with equal parts stunning lyricism and unabashed humor, traces a nameless narrator's coming-of-age in the 1950s. Struggling with his homosexuality, the narrator seeks the consolations of a fantastic imagination and fills his head with romantic expectations ("I believed without a doubt in a better world, which was adulthood or New York or Paris or love.") His distant, divorced parents exacerbate his hunger for emotional connection, and he endures the unhelpful attentions of a priest and a psychoanalyst. In time, he recognizes the need to be loved by the men in his life and, in the surprising conclusion, escapes his childhood forever with one unforgettable act.

• States of Desire: Travels in Gay America (1980)

• Nocturnes for the King of Naples (1978)
  A hauntingly beautiful evocation of lost love, Noctunes for the King of Naples has all the startling, almost embarrassing, intimacy of a stranger's love letters. The intense emotional situation envelops the readers from the first page; like all images in a dream, White's characters are the most real people we know, thought they remain phantoms. Each chapter, each nocturne, is set in a different emotional key, but all are interconnected through such subtle modulations that the final effect is devastating.

• Arts and Letters (2004)
  Best-selling novelist, memoirist, and biographer Edmund White displays his sharp wit and boundless erudition in 37 portraits of the writers, artists, and cultural icons who have captured his curiosity and imagination for the last 20 years. White is as compelling as he is unpretentious in these stories of his encounters with some of the most provocative writers, artists, and personalities of our time. Marcel Proust, Catherine Deneuve, David Geffen, Robert Mapplethorpe, Andre Gide, Michel Foucault, Andy Warhol, Vladimir Nabokov, Jean Genet, Jasper Johns, Allen Ginsberg, Yves Saint Laurent, and Elton John are among the cast.

• Loss Within Loss: Artists in the Age of AIDS (2001) -- Finalist 2002 ALA\GLBTRT Award for Nonfiction)
  Edited by Edmund White

• The Flaneur: A Stroll Through the Paradoxes of Paris (2001)
  Bloomsbury is proud to announce the first title in an occasional series in which some of the world's finest novelists reveal the secrets of the city they know best. These beautifully produced, pocket-sized books will provide exactly what is missing in ordinary travel guides: insights and imagination that lead the reader into those parts of a city no other guide can reach.
  
  A flaneur is a stroller, a loiterer, someone who ambles through a city without apparent purpose but is secretly attuned to the history of the place and in covert search of adventure, esthetic or erotic. Edmund White, who lived in Paris for sixteen years, wanders through the streets and avenues and along the quays, taking us into parts of Paris virtually unknown to visitors and indeed to many Parisians. Entering the Marais evokes the history of Jews in France, just as a visit to the Haynes Grill recalls the presence-festive, troubled-of black Americans in Paris for a century and a half. Gays, Decadents, even Royalists past and present are all subjected to the flaneur's scrutiny.
  
  Edmund White's The Flaneur is opinionated, personal, subjective. As he conducts us through the bookshops and boutiques, past the monuments and palaces, filling us in on the gossip and background of each site, he allows us to see through the blank walls and past the proud edifices and to glimpse the inner, human drama. Along the way he recounts everything from the latest debates among French law-

• New Finnish Fiction: The Review of Contemporary Fiction (1996) with Samuel Delany and Philip Landon

• Our Paris: Sketches from Memory (1995) with Hubert Sorin
  What happens when one of our most celebrated writers combines talents with a French artist and architect to capture life in their Parisian neighborhood? The result is a lighthearted, gently satiric portrait of the heart of Paris -- including the Marais, Les Halles, the two islands in the Seine, and the Châtelet -- and the people who call it home. It is an enchantingly varied world, populated not only by dazzling literati and ultrachic couturiers and art dealers but also by poetic shopkeepers, grandmotherly prostitutes, and, ever underfoot, an irrepressible basset hound named Fred. The foibles and eccentricities of these sometimes outrageous, always memorable individuals are brought to life with unfailing wit and affection.
  
  Below the surface of the sparkling humor in Our Paris, there is a tragic undercurrent. While Hubert Sorin was completing this work, he was nearing the end of his struggle with AIDS. The book is a tribute to the loving spirit with which the authors banished somberness and celebrated the pleasures of their life together.

• Selected Writings Of Jean Genet (1995)

• Our Paris: Sketches from Memory (Illustrated by Hubert Sorin) (1994)

• The Burning Library: Essays (1994) with David Bergman, ed.

• A Star-Bright Lie (1993) with Coleman Dowell  -- Winner, 1993 Lambda Literary Editor's Choice Award
  Autobiography of Coleman Dowell.

• Edmund White Interview with Kay Bonetti (1989)

• Edmund White Reading (1989)
  Audio.

• Burning Library Writings On Art Politics (Date?)

See also:

• Between Men: Best New Gay Fiction (2007)
  Lambda Literary Award-winning editor Richard Canning brings together all new work by Andrew Holleran, Dale Peck, Edmund White, James McCourt and others.

• Fresh Men: New Voices in Gay Fiction (2004), selected by Edmund White and edited by Donald Weise -- Winner, 2004 Lambda Literary Award for Fiction Anthologies

• The Proust Project (2004)
  For The Proust Project, editor André Aciman asked twenty-eight writers -- Alain de Botton, Diane Johnson, Edmund White, Lydia Davis, Richard Howard, Shirley Hazzard, and others--to choose a favorite passage from In Search of Lost Time and introduce it in a brief essay. Gathered together, along with the passages themselves (and a synopsis that guides the reader from one passage to the next), these essays form the perfect introduction to the greatest novel of the last century, and the perfect gift for any Proustian.

• Wonderlands: Good Gay Travel Writing (2004)
  Living up to its title, Wonderlands comes fueled by wanderlust and features every kind of wonderland. In fact, the collection's contributors--a mix of established gay writers and the best of the new generation--don't settle for the obvious. Focusing on the sheer visceral thrill of travel, the adventure of it, they set out all over the world and always find something unexpected: love, passion, history, themselves. 
  
  The result is an anthology of dynamic writing that will motivate readers to book their next flight, or at least get them dreaming of other places. And the places are legion. Mack Friedman sets off into the deceptively butch wilds of Alaska. Robert Tewdwr Moss tracks through the back roads of Syria and his own version of Arabian Nights. Colm Tóibín discovers a Spanish Brigadoon and Edward Field drinks tea with Paul Bowles. For Wayne Koestenbaum Vienna is both a city of high low culture, and for Philip Gambone Asia becomes a place of second chances. Raphael Kadushin settles into the ethereal sun of a Dutch spring, Michael Lowenthal remembers a jarring encounter in the Scottish Highlands, and Tim Miller tallies the 1001 beds he has slept in all over the world. And Edmund White, in a classic of elegiac travel writing, recounts his harrowing drive through the Sahara with a man he loved.
  
  Contributors: Alistair McCartney, Boyer Rickel, Brian Bouldrey, Bruce Shenitz, Colm Tóibín, David Masello, Edmund White, Edward Field, J.S. Marcus, Mack Friedman, Matthew Link, Michael Lowenthal, Mitch Cullin, Philip Gambone, Raphael Kadushin, Rigoberto Gonzalez, Robert Tewdwr Moss, Wayne Koestenbaum, and Tim Miller.

• The Boy With the Thorn in His Side (2000) by Keith Fleming
  This very moving memoir tells the story of a dramatic adolescence: Sixteen-year-old Keith Fleming's life is literally saved when his young uncle Ed, the writer Edmund White, impulsively agrees to "adopt" him.

  Installed in the maid's room of his uncle's busy apartment on Manhattan's Upper West Side where the phone never stops ringing, Keith soon finds himself transformed as Uncle Ed whirls into action--arranging treatment for Keith's disfiguring acne; enrolling him in prep school despite huge gaps in Keith's academic record caused by time spent in mental hospitals and a hippie "free school"; and instructing his nephew in a worldly view of life and love (an early assignment: reading Lolita and Lord Chesterfield's Letters to His Son).

  Five months later Uncle Ed, who is both strapped for cash as well as completely caught up in the beehive of social and sexual activity of 1970s gay Manhattan, must decide if he can afford to "adopt" another child-Keith's fourteen-year-old Mexican girlfriend, the beautiful Laura, who has just run away from her convent school.

  Though Keith's new life in New York forms the heart of the story, this powerful, entertaining memoir begins by tracing how young Keith evolves from being a member of a seemingly ordinary suburban family into a teen so miserably defiant that he is put in the hands of a tyrannical psychiatrist. Here, on a locked adolescent psychiatric ward, Keith meets the bewitching Laura. The two teens begin a passionate love affair--only to be separated and placed in different hospitals.

  By turns lyrical, funny, and poignant, and always informed by touching candor, The Boy with the Thorn in His Side is full of fascinating characters and unexpected twists-at once an odyssey into the extremes of the American 1970s, a universal tale of star-crossed teenage love, and an account of a deeply sensitive young person's struggle to find his place in the world. It marks the debut of a poised and compelling writer.

  Keith Fleming had been a pretty ordinary Midwestern kid--Little League, Boy Scouts--but the year he turns twelve, his family is torn apart by divorce when he learns that his mother and his Uncle Ed are both gay. By the time Keith is fifteen he has become disfigured by severe acne and is so wild that his father and stepmother place him in a draconian adolescent mental institution. Here he meets Laura, a pretty Mexican girl with whom he begins a passionate love affair.

  Keith's mother finally demands his release after a series of hospitalizations and sends him off to live with his uncle, Edmund White, in New York. Keith is soon transformed by his young uncle: He is sent to a dermatologist, to Barneys "Boy's Town" for new clothes, and to prep school. He receives a broad cultural education from Uncle Ed at home--all this despite Ed's being poor as well as completely caught up in the beehive of social and sexual activity of 1970s gay Manhattan.

  In the tradition of This Boy's Life and Girl, Interrupted, The Boy with a Thorn in His Side is a beautifully rendered saga of a deeply sensitive and alienated teen struggling to find his place in the world-and at the same time a very modern tale of teenage love and a young person's touching and complicated bond with an unlikely hero.

• The Faber Book of Gay Shorter Fiction (1992)

• The Faber Book of Gay Short Fiction (1991)

• Something Inside: Conversations With Gay Fiction Writers (1980, 1999)  by Philip Gambone, Compiler and Robert Giard, Photographer
  In the last twenty years, gay literature has earned a place at the American and British literary tables, spawning its own constellation of important writers and winning a dedicated audience. No one though, until Philip Gambone, has attempted to offer a collective portrait of our most important gay writers. This collection of interviews attempts just that, and is notable both for the depth of Gambone's probing conversations and for the sheer range of important authors included. Virtually every prominent gay author writing in English today is here, including Alan Hollinghurst, Allen Barnett, Andrew Holleran, Bernard Cooper, Brad Gooch, Brian Keith Jackson, Christopher Bram, David Leavitt, David Plante, Dennis Cooper, Edmund White, Gary Glickman, John Preston, Joseph Hansen, Lev Raphael, Michael Cunningham, Michael Lowenthal, Michael Nava, Paul Monette, Peter Cameron, and Scott Heim.

• Aphrodisiac: Fiction from Christopher Street (1984)
  Includes works by Andrew Holleran, Christopher Bram, Edmund White, Felice Picano, Jane Rule, Kate Millett, Tennessee Williams, and others.