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Hilary Mantel
(Aka Hilary Mary Mantel) (Writer)
[July 6, 1952 - ]
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Profile created October 22, 2009
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Giving Up the Ghost
(2003) --
Winner 2003 MIND Book of the Year
In postwar rural England, Hilary Mantel
grew up convinced that the most improbable of accomplishments, including
"chivalry, horsemanship, and swordplay," were within her grasp. Once
married, however, she acquired a persistent pain that led to destructive
drugs and patronizing psychiatry, ending in an ineffective but irrevocable
surgery. There would be no children; in herself she found instead one
novel, and then another.
Novels
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Wolf Hall
(2009) -- Winner 2009
Booker Prize
for Fiction
In the ruthless arena of King Henry VIII’s court,
only one man dares to gamble his life to win the king’s favor and ascend
to the heights of political power
England in the 1520s is a heartbeat from disaster. If the king dies
without a male heir, the country could be destroyed by civil war. Henry
VIII wants to annul his marriage of twenty years, and marry Anne Boleyn.
The pope and most of Europe opposes him. The quest for the king’s freedom
destroys his adviser, the brilliant Cardinal Wolsey, and leaves a power
vacuum.
Into this impasse steps Thomas Cromwell. Cromwell is a wholly original
man, a charmer and a bully, both idealist and opportunist, astute in
reading people and a demon of energy: he is also a consummate politician,
hardened by his personal losses, implacable in his ambition. But Henry is
volatile: one day tender, one day murderous. Cromwell helps him break the
opposition, but what will be the price of his triumph?
In inimitable style, Hilary Mantel presents a picture of a half-made
society on the cusp of change, where individuals fight or embrace their
fate with passion and courage. With a vast array of characters,
overflowing with incident, the novel re-creates an era when the personal
and political are separated by a hairbreadth, where success brings
unlimited power but a single failure means death.
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Beyond Black
(2005)
Colette and Alison are unlikely cohorts: one a shy,
drab beanpole of an assistant, the other a charismatic, corpulent psychic
whose connection to the spiritual world torments her. When they meet at a
fair, Alison invites Colette at once to join her on the road as her
personal assistant and companion. Troubles spiral out of control when the
pair moves to a suburban wasteland in what was once the English
countryside. It is not long before the place beyond black threatens to
uproot their lives forever. This is Hilary Mantel at her
finest--insightful, darkly comic, unorthodox, and thrilling to read.
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An Experiment in Love
(1995) --
Winner 1996 Hawthornden Prize
It was the year after Chappaquiddick, and
all spring Carmel McBain had watery dreams about the disaster. Now she,
Karina, and Julianne were escaping the dreary English countryside for a
London University hall of residence. Interspersing accounts of her current
position as a university student with recollections of her childhood and
an ever difficult relationship with her longtime schoolmate Karina, Carmel
reflects on a generation of girls desiring the power of men, but fearful
of abandoning what is expected and proper. When these bright but confused
young women land in late 1960s London, they are confronted with a slew of
new preoccupations--sex, politics, food, and fertility--and a pointless
grotesque tragedy of their own.
Hilary Mantel's magnificent novel examines the pressures on women during
the early days of contemporary feminism to excel--but not be too
successful--in England's complex hierarchy of class and status.
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A Change of Climate
(1994)
Ralph and Anna Eldred are an exemplary couple,
devoting themselves to doing good. Thirty years ago as missionaries in
Africa, the worst that could happen did. Shattered by their encounter with
inexplicable evil, they returned to England, never to speak of it again.
But when Ralph falls into an affair, Anna finds no forgiveness in her
heart, and thirty years of repressed rage and grief explode, destroying
not only a marriage but also their love, their faith, and everything they
thought they were.
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A Place of Greater Safety
(1992) --
Winner 1992 Sunday Express Book of the Year
It is 1789, and three young provincials
have come to Paris to make their way. Georges-Jacques Danton, an ambitious
young lawyer, is energetic, pragmatic, debt-ridden--and hugely but
erotically ugly. Maximilien Robespierre, also a lawyer, is slight,
diligent, and terrified of violence. His dearest friend, Camille
Desmoulins, is a conspirator and pamphleteer of genius. A charming gadfly,
erratic and untrustworthy, bisexual and beautiful, Camille is obsessed by
one woman and engaged to marry another, her daughter. In the swells of
revolution, they each taste the addictive delights of power, and the price
that must be paid for it.
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Fludd
(1989) -- Winner
1990 The Cheltenham Prize; 1990
Southern Arts Literature Prize; and
1990 Winifred Holtby Memorial Prize
One dark and stormy night in 1956, a
stranger named Fludd mysteriously turns up in the dismal village of
Fetherhoughton. He is the curate sent by the bishop to assist Father
Angwin-or is he? In the most unlikely of places, a superstitious town that
understands little of romance or sentimentality, where bad blood between
neighbors is ancient and impenetrable, miracles begin to bloom. No matter
how copiously Father Angwin drinks while he confesses his broken faith,
the level of the bottle does not drop. Although Fludd does not appear to
be eating, the food on his plate disappears. Fludd becomes lover,
gravedigger, and savior, transforming his dull office into a golden
regency of decision, unashamed sensation, and unprecedented action.
Knitting together the miraculous and the mundane, the dreadful and the
ludicrous, Fludd is a tale of alchemy and transformation told with
astonishing art, insight, humor, and wit.
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Eight Months on Ghazzah Street
(1988)
When Frances Shore moves to Saudi Arabia, she
settles in a nondescript sublet, sure that common sense and an open mind
will serve her well with her Muslim neighbors. But in the dim, airless
flat, Frances spends lonely days writing in her diary, hearing the sounds
of sobs through the pipes from the floor above, and seeing the flitting
shadows of men on the stairwell. It’s all in her imagination, she’s told
by her neighbors; the upstairs flat is empty, no one uses the roof. But
Frances knows otherwise, and day by day, her sense of foreboding grows
even as her sense of herself begins to disintegrate.
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Vacant Possession
(1986)
(Sequel to Every Day is Mother's Day.)
A dark and uproarious tale of revenge.
Ten years have passed since Muriel Axon did her ma in, ten years of living
in a mental asylum. But Muriel has not forgotten her welfare worker,
Isabel, or her neighbor, Colin. Nor has she forgiven. There are still
scores to be settled-and vengeance to be wreaked. In a novel that is
wildly funny and daringly wicked, Mantel brings the full force of her
black humor to bear on a cast of characters that is by turns wacky and
malevolent. As Muriel dons disguises to get back at the world that
imprisoned her, we follow a trail that is wonderfully macabre with enough
twists and turns to qualify this book as a thriller.
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Every Day is Mother's Day
(1985)
Stephen King
meets Muriel Spark in Hilary Mantel's
first novel.
Evelyn Axona-medium by trade-and her half-wit daughter Muriel have become
a social problem. Barricaded in their once-respectable house, they live
amid festering rubbish, unhealthy smells-and secrets. They completely
baffle Isabel Field, the social worker assigned to help them. But Isabel
is only the most recent in a long line of people that find the Axons
impossible. Meanwhile, Isabel has her own problems: a married lover,
Colin. He is a history teacher to unresponsive children and father to a
passel of his own horrible kids. With all this to worry about, how can
Isabel even begin to understand what is going on in the Axon household?
When Evelyn finally moves to def Muriel, and Muriel, in turn, acts to
protect herself, the results are by turns hilarious and terrifying.
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Learning to Talk
(2003) In the wake of Hilary Mantel's captivating memoir,
GIVING UP THE GHOST, this collection of loosely autobiographical stories
locates the transforming moments of a haunted childhood. Published to
coincide with their dramatisation on Radio 4's Woman's Hour. This sharp,
funny collection of loosely autobiographical stories begins in the
nineteen-fifties in an insular northern village 'scoured by bitter winds
and rough gossip tongues.' For the child narrator, the only way to survive
is to get up, get on, get out. In 'King Billy is a Gentleman', the child
must come to terms with the loss of a father and the puzzle of a fading
Irish heritage. 'Curved Is the Line of Beauty' is a story of friendship,
faith and a near-disaster in a scrap-yard. The title story sees our
narrator ironing out her northern vowels with the help of an ex-actress
with one lung and a Manchester accent. In 'Third Floor Rising', she
watches, dazzled, as her mother carves out a stylish new identity. With a
deceptively light touch, Mantel locates the transforming moments of a
haunted childhood.
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The Giant, O'Brien
(1998)
London, 1782: center of science and commerce, home
to the newly rich and the desperately poor. In the midst of it all is the
Giant, O'Brien, a freak of nature, a man of song and story who trusts in
myths, fairies, miracles, and little people. He has come from Ireland to
exhibit his size for money. O'Brien's opposite is a man of science, the
famed anatomist John Hunter, who lusts after the Giant's corpse as a
medical curiosity, a boon to the advancement of scientific knowledge.
In her acclaimed novel, Hilary Mantel tells of the fated convergence of
Ireland and England. As belief wrestles knowledge and science wrestles
song, so The Giant, O'Brien calls to us from a fork in the road as a tale
of time, and a timeless tale.
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