Affiliates
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Works by
Jim Grimsley
(Writer)
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jgrimsl @ emory . edu
http://literati.net/Grimsley/ Profile created 2003Jim Grimsley is a playwright and
novelist who lives in Atlanta. Jims first novel, Winter Birds, won the
1995 Sue Kaufman Prize for First Fiction from the American Academy of
Arts and Letters. His second novel, Dream Boy, won the American Library
Association GLBT Award for Literature and was a Lambda finalist. His
other published novels include My Drowning, Comfort & Joy, and
Boulevard, all published by Algonquin Books, and a fantasy novel, Kirith
Kirin, published by Meisha Merlin. Mr. Grimsley received the Lila
Wallace/Readers Digest Writers Award for his body of work in 1997 and
teaches writing at Emory University in Atlanta, Georgia. -- from
Saints & Sinners |
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Forgiveness (2007)
Turning headline news into biting social satire,
Jim Grimsley exposes the amorality of materialistic America in
Forgiveness, a blackly comic tale of a bankrupt accounting
executive who dreams of achieving stardom in the only way a pathetic
failure can—by murdering his wife. As Charley Stranger imagines the
crime, he fantasizes wildly unlikely encounters with celebrities—sharing
marital woes with Nicole Kidman over a latte at Starbucks, being
interviewed by Barbara Walters—while in real life his wife Carmine
incessantly ridicules his inability to perform either in bed or in the
marketplace. As Forgiveness veers to its shocking
conclusion, it strips bare the corruption of the American Dream—the
moral bankruptcy of corporate and political institutions, the hollowness
of living in a media-saturated world, the delusion of buying love with
luxury goods.
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The Ordinary (2004) -- Winner, 2004
Lambda Literary Award for Science/Fiction/Fantasy/Horror
The Twil Gate links two very different realms. On one side of the
portal is Senal, an advanced technological civilization of some thirty
billion inhabitants, all cybernetically linked and at war with machine
intelligences many light-years away. On the other side is Irion, a land
of myth and legend, where the world is flat and mighty wizards once
ruled. Jedda Martele is a linguist and trader from Senal. Although
fascinated by the languages and cultures of Irion, she shares her
people's assumption that Irion is backward and superstitious and no
match for her homeland's superior numbers and technology. But as the two
realms march inevitably toward war, Jedda finds herself at the center of
historic, unimaginable events that will challenge everything she has
ever believed about the world---and herself.
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Boulevard: A Novel (2002)
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Kirith Kirin (2000) --
Winner, 2000 Lambda Literary Award for Science Fiction/Fantasy, and Horror
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Comfort & Joy: A Novel (1999) --
Finalist 2000 ALA's GLBTF Book Award for Literature
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My Drowning (1997) --
Winner Lila Wallace-Reader's Digest Writers Award
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Dream Boy (1995) --
Finalist Lambda Literary Award for Male Fiction;
Winner of the
1996 ALA's GLBTF Book Award
for Fiction
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Winter Birds (1994) -- Finalist PEN/Hemingway Award and winner of the Sue Kaufman Prize from the American Academy of Arts and Letters
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Mr. Universe and Other Plays (1998)
-- Winner George Oppenheimer Award for Best New
American Playwright; Winner Bryan
Prize for Drama by the Fellowship of Southern Writers
In this collection, critically acclaimed novelist
Jim Grimsley reveals his great gifts as a playwright in four powerful,
award-winning plays presenting different worlds in collision and
convergence. In "Mr. Universe," the rescue of a mute bodybuilder from
the gritty streets of New Orleans by a couple of drag queens brings out
the best and worst in them. In "The Lizard of Tarsus," an imprisoned
Jesus (called J.) is interrogated by an ambitious follower, Paul of
Tarsus. In "The Borderland," neighboring families representing two very
different social classes are brought together during a storm. And in
"Math and Aftermath," the two worlds of pornography and nuclear testing
collide during a film shoot in the Marshall Islands. These plays
(introduced by Romulus Linney, Reynolds Price, Kaye Gibbons, and Craig
Lucas) demonstrate the differences that are matters of perception;
together they establish Grimsley as a dramatist with imagination and
nerve.
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