Affiliates
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Works by
Justine Saracen
(Writer)
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jsaracen@verizon.net
http://justine-saracen.tripod.com Profile created
April 19, 2006
Justine Saracen has been a professor of language and literature and a
classical music manager. Other works include Salvation in the Secular,
an examination of religion and moral issues in the works of Thomas Mann,
articles on theatrical subjects, goddess mythology, and American Sign
Language. She has also written for the Internet, including the fan-fic
inspired works: “The Pappas Journals,” “In the Reich,” and “Lao Ma’s
Kiss,” which were widely acclaimed as fan fiction for grownups. Two
other stories, “Wanting Melosa” and “Women in Prison” (an homage to
lesbian pulp fiction of the 50s), were just plain sleazy fun. -- from
Saints & Sinners
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Ibis Prophecy Series
Follows the adventures of a lesbian archeologist through
the travails of modern, medieval, and ancient Egypt.
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The 100th Generation (2006)
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Nominated 2006 Lambda Literary Award for
Lesbian Debut Fiction; Finalist in the Queerlit 2005 contest
Archeologist Valerie Foret has spent a fruitless year
searching for a tomb in the desert, a year broken only by the intermittent
dalliance with a high-ranking Egyptian woman. When she finally uncovers
something, it is beyond her science and threatens to destroy her career. What
she has found is also a threat to western religion, she discovers, as she is
immediately set upon by fundamentalists of all faiths.
Strange dark women keep appearing to protect her and
what they are protecting her from, she slowly grasps, is God Himself. A
mysterious Bedouin woman, who seems to offer both passion and
enlightenment, delivers the final betrayal, sending her to her death.
Or is it salvation? In the underworld,
face to face with the god who has set the events in motion, Valerie must
decide which. For the Egyptian nature gods are coming back to confront
The Almighty and Valerie must choose sides.
Against the backdrop of a polluted world rumbling with
wars, Valerie witnesses the blazing spectacle of the animal deities, and
makes her choice.
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Vulture's Kiss (2007 release)
The Prophecy of the Ibis god – of the Balance,
and the Book, and the Bearing of the Child -- has been fulfilled, but
that, it turns out, was the easy part.
Seth and the Almighty Aton will not step aside so
lightly as the gods of nature send their own holy family into the
world. The family, alas, is all too mortal, as is the otherworldly Ka,
and the Book, though written, is not read.
There are pitfalls and assassins along the way,
Christian, Jewish, and Muslim fundamentalists who threaten the family
and the peace, and Valerie needs all the allies she can get. Allies
and love. She looks both to a tough Iraqi journalist and to the
mysterious Vulture goddess herself, though it is the goddess, who with
every kiss, makes the matter worse. Passion, as it turns out means
both ecstasy and suffering.
For Valerie learns that she is part of a twisted
lineage, one with a troubled relationship to all forms of god
throughout the centuries. She has ancestors whose blood soaked the
ground on both sides of the Crusades and as a scientist, she is the
last person to argue on behalf of animal-headed divinities.
Clearly the One God has not done well by the world,
but are the many gods any better? What does an ancient animistic
religion have to offer to the modern scientific world? In the holy
places of Jerusalem, Valerie seems to find an answer, and it is not
anything the world would ever have expected.
Addresses themes that persisted into her later fiction -- the role of
religion in history, the leitmotifs of fanaticism, and the power of
language.
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