DREAMWalker Group
Where creativity and spirit converge

 

 

 
To assist you in finding books you enjoy reading, you can search this site for authors or artists and look at their profile pages:
 

By first name

By last name

By subjects

 

 

SPONSORS

A bridge supporting dialog

 

Michael Walker's Blog
(Awakened Man's World)

Our DREAMTeam

Email Us

 

 

Affiliates

 

Works by
Kathryn Bond Stockton
(Writer)

kathryn.stockton@english.utah.edu
Website
Profile created March 21, 2007
  • God Between Their Lips: Desire Between Women in Irigaray, Bronte, and Eliot (1994)

  • Beautiful Bottom, Beautiful Shame: Where "Black" Meets "Queer" (2006) -- Finalist Lambda Literary 2006 GLBT Studies Awards
    Shame, Kathryn Bond Stockton argues in Beautiful Bottom, Beautiful Shame, has often been a meeting place for the signs “black” and “queer” and for black and queer people—overlapping groups who have been publicly marked as degraded and debased. But when and why have certain forms of shame been embraced by blacks and queers? How does debasement foster attractions? How is it used for aesthetic delight? What does it offer for projects of sorrow and ways of creative historical knowing? How and why is it central to camp?

    Stockton engages the domains of African American studies, queer theory, psychoanalysis, film theory, photography, semiotics, and gender studies. She brings together thinkers rarely, if ever, read together in a single study—James Baldwin, Radclyffe Hall, Jean Genet, Toni Morrison, Robert Mapplethorpe, Eldridge Cleaver, Todd Haynes, Norman Mailer, Leslie Feinberg, David Fincher, and Quentin Tarantino—and reads them with and against major theorists, including Georges Bataille, Sigmund Freud, Eve Kosofsky Sedgwick, Jacques Lacan, Roland Barthes, and Leo Bersani. Stockton asserts that there is no clear, mirrored relation between the terms “black” and “queer”; rather, seemingly definitive associations attached to each are often taken up or crossed through by the other. Stockton explores dramatic switchpoints between these terms: the stigmatized “skin” of some queers’ clothes, the description of blacks as an “economic bottom,” the visual force of interracial homosexual rape, the complicated logic of so-called same-sex miscegenation, and the ways in which a famous depiction of slavery (namely, Morrison’s Beloved) seems bound up with depictions of AIDS. All of the thinkers Stockton considers scrutinize the social nature of shame as they examine the structures that make debasements possible, beara
    ble, pleasurable, and creative, even in their darkness.

  • The Queer Child: Growing Sideways From Henry James To Contemporary Cinema (In Progress)

See also:
  • Aesthetic Subjects (2003), David McWhirter and Pamela R. Matthews, eds.
    "Growing Sideways, Or Versions Of The Queer Child: The Ghost, The Homosexual, The Freudian, The Innocent, And The Interval Of The Animal"

(We need your help! 
Let us know if you have updated information for this page!
Write us at dreamwalkergroup@me.com)

Related Topics

Click any of the following links for more information on similar topics of interest in relation to this page.

Kathryn Bond Stockton
Is Listed As A Favorite Of
(Alphabetical Order
By First Name)

TO BE DETERMINED

Kathryn's Favorite
Authors/Books
(Alphabetical Order
By First Name)
[As of x]

TO BE DETERMINED

DREAMWaker Group is not incorporated as a non-profit organization.

Your donations help defray the cost of running this site but are not tax-deductible
as charitable expenses
.  See your tax consultant for more information.

Site Design and
Copyright © 2002-21 by
DREAMWalker Group
Email Us

Proprietor - Michael Walker  

Editorial - Catherine Groves  Michael Walker 

Layout & Design Michael Walker