Affiliates
| Works by
Nora Ephron (Film Director,
Producer, Screenwriter, Writer)
[1941 - ] |
Email: ???
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Blog
Profile created May 21, 2007 |
Essays
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I Feel Bad About My NecK: And Other Thoughtsd On (2006)
With her disarming, intimate, completely accessible voice, and dry
sense of humor, Nora Ephron shares with us her ups and downs in I Feel
Bad About My Neck, a candid, hilarious look at women who are getting
older and dealing with the tribulations of maintenance, menopause,
empty nests, and life itself.
The woman who brought us When Harry Met Sally . . . , Sleepless in
Seattle, You’ve Got Mail, and Bewitched, and the author of best
sellers Heartburn, Scribble Scribble, and Crazy Salad, discusses
everything—from how much she hates her purse to how much time she
spends attempting to stop the clock: the hair dye, the treadmill, the
lotions and creams that promise to slow the aging process but never
do. Oh, and she can’t stand the way her neck looks. But her
dermatologist tells her there’s no quick fix for that.
Ephron chronicles her life as an obsessed cook, passionate city
dweller, and hapless parent. She recounts her anything-but-glamorous
days as a White House intern during the JFK years (“I am probably the
only young woman who ever worked in the Kennedy White House that the
President did not make a pass at”) and shares how she fell in and out
of love with Bill Clinton—from a distance, of course. But mostly she
speaks frankly and uproariously about life as a woman of a certain
age.
Utterly courageous, wickedly funny, and unexpectedly moving in its
truth telling, I Feel Bad About My Neck is a book of wisdom, advice,
and laugh-out-loud moments, a scrumptious, irresistible treat.
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Crazy Salad Plus Nine (1984)
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Crazy Salad: Some Things About Women (1975)
The classic Crazy Salad, by screenwriting legend and novelist Nora Ephron, is an extremely funny, deceptively light look at a generation
of women (and men) who helped shape the way we live now. In this
distinctive, engaging, and simply hilarious view of a period of great
upheaval in America, Ephron turns her keen eye and wonderful sense of
humor to the media, politics, beauty products, and women's bodies. In
the famous "A Few Words About Breasts," for example, she tells us: "If
I had had them, I would have been a completely different person. I
honestly believe that." Ephron brings her sharp pen to bear on the
notable women of the time, and to a series of events ranging from
Watergate to the Pillsbury Bake-Off. When it first appeared in 1975,
Crazy Salad helped to illuminate a new American era--and helped us to
laugh at our times and ourselves. This new edition will delight a
fresh generation of readers.
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Wallflower at the Orgy (1970)
From her Academy Award—nominated screenplays to her
bestselling fiction and essays, Nora Ephron is one of America’s most
gifted, prolific, and versatile writers. In this classic collection of
magazine articles, Ephron does what she does best: embrace American
culture with love, cynicism, and unmatched wit. From tracking down the
beginnings of the self-help movement to dressing down the fashion
world’s most powerful publication to capturing a glimpse of a
legendary movie in the making, these timeless pieces tap into our
enduring obsessions with celebrity, food, romance, clothes,
entertainment, and sex. Whether casting her ingenious eye on renowned
director Mike Nichols, Cosmopolitan magazine founder Helen Gurley
Brown—or herself, as she chronicles her own beauty makeover—Ephron
deftly weaves her journalistic skill with the intimate style of an
essayist and the incomparable talent of a great storyteller.
Books
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Imaginary Friends (2003)
Although Lillian Hellman and Mary McCarthy probably only met
once in their lives, their names will be linked forever in the history
of American literary feuds: they were legendary enemies, especially
after McCarthy famously announced to the world that every word Hellman
wrote was a lie, “including ‘and’ and ‘the.’” The public battle, and the
legal squabbling, that ensued ended, unsatisfactorily for all, with
Hellman’s death.
In Imaginary Friends, Nora Ephron brilliantly and
hilariously resuscitates these two bigger-than-life women to give them a
post-mortem second act, and the chance to really air their differences.
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Nora Ephron Collected (1991)
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When Harry Met Sally. . . (1990)
Rob Reiner's enormously funny and moving When Harry Met Sally
... -- a romantic comedy about the difficult, frustrating, awful, funny
search for happiness in an American city, where the primary emotion is
unrequited love -- is delighting audiences everywhere. Now, the complete
screenplay is published. Written by Nora Ephron -- author of screenplays
for Silkwood and Heartburn (from her own best-selling novel) -- When
Harry Met Sally...is as hilarious on the page as it is on the screen.
Movie
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Heartburn (1983)
Is it possible to write a sidesplitting novel about the breakup
of the perfect marriage? If the writer is Nora Ephron, the answer is a
resounding yes. For in this inspired confection of adultery, revenge,
group therapy, and pot roast, the creator of Sleepless in Seattle
reminds us that comedy depends on anguish as surely as a proper gravy
depends on flour and butter.
Seven months into her pregnancy, Rachel Samstat discovers that her
husband, Mark, is in love with another woman. The fact that the other
woman has "a neck as long as an arm and a nose as long as a thumb and
you should see her legs" is no consolation. Food sometimes is, though,
since Rachel writes cookbooks for a living. And in between trying to win
Mark back and loudly wiching him dead, Ephron's irrepressible heroine
offers some of her favorite recipes. Heartburn is a sinfully delicious
novel, as soul-satisfying as mashed potatoes and as airy as a perfect
soufflé.
Movie (1986)
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Scribble Scribble: Notes on the Media (1978)
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And Now Here's Johnny! (1968)
Screenwriting
Screenwriting and Directing
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Julie and Julia (2005) DVD
VHS
Julie & Julia, the bestselling memoir that's
"irresistible....A kind of Bridget Jones meets The French Chef"
(Philadelphia Inquirer), is now a major motion picture. Julie
Powell, nearing thirty and trapped in a dead-end secretarial job, resolves
to reclaim her life by cooking in the span of a single year, every one of
the 524 recipes in
Julia Child's legendary Mastering the Art of French
Cooking. Her unexpected reward: not just a newfound respect for
calves' livers and aspic, but a new life-lived with gusto. The film is
written and directed by Nora Ephron and stars Amy Adams as Julie and Meryl
Streep as Julia.
Buy the
book by Julie Powell.
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Bewitched (2005)
Nora Ephron, director with Nicole Kidman and Will Ferrell
DVD
VHS
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Lucky Numbers (2000)
Nora Ephron, director with Lisa Kudrow and John Travolta
DVD
VHS
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You've Got Mail (1998)
Nora Ephron, director with Meg Ryan and Tom Hanks
DVD
VHS
See also
You've Got Mail Movie Script Screenplay
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Michael (1996)
Nora Ephron, director with Andie MacDowell and John Travolta
DVD
VHS
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Mixed Nuts (1994)
Nora Ephron, director with Madeline Kahn and Steve Martin
DVD
VHS
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Sleepless in Seattle (1993)
Nora Ephron, director with Meg Ryan and Tom Hanks
DVD
VHS
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This Is My Life (1992)
Nora Ephron, director with Julie Kavner and Samantha Mathis
VHS
See also:
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Tribeca Talks (2004)
The Tribeca Film Festival brings together film lovers from around New
York City and around the world to watch and discuss the newest U.S. and
international independent and studio films. In addition to the film
program is the Tribeca Talks panel series that includes one-on-one
discussions with influential filmmakers. This publication is a
collection of transcripts from the Tribeca Talks panels of 2002 and
2003. Featured are documents from nine panels, including: New York, New
York: A Movie Maker's Muse with Martin Scorsese, Jay Cocks, and Richard
Price, moderated by Nick Davis; In Love, in the Movies with Lauren
Bacall, James Harvey, Paul Rudnick, and Jennifer Westfeldt, moderated by
Nora Ephron; What's So Funny? Laughter in the Movies with Jay Roach,
Paul Rudnick, Trey Parker, and Matt Stone, moderated by Lisa Birnbach;
and Actors on Acting with Roger Bart, Edie Falco, Helen Hunt, Holly
Hunter, and Paul Rudd, moderated by Peter Bart. The introduction by
James Sanders explores the history and urban character of Tribeca,
including the arrival of the film community in the 1990s, the impact of
September 11th, and the subsequent birth of the Tribeca Film Festival
under the auspices of the Tribeca Film Institute (founded in 2002 by
Robert De Niro, Jane Rosenthal, Martin Scorsese, and Craig Hatkoff).
Also included are special selections of favorite New York films by
Martin Scorsese and Peter Scarlet, plus quotes from New York filmmakers
like Ron Howard, Sydney Lumet, Harold Ramis, and Nora Ephron, as well as
a brief glossary and an index of the films shown in the festival's first
two years.
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The Women Who Write the Movies: From Frances Marion to Nora Ephron
(1994) by Marsha McCreadie
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Journalists Aren't As Interesting As the Things They Cover: The 1976-77 Ruhl Symposium in Journalism
(1977)
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