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| Works by
Rick Copp (Writer) |
Fingerprints & Facelifts (2007)
Once upon a time there were three very different
little girls who ran a private detective agency. Claire was the soft-spoken,
elegant one. Tess, the sexy, wild free spirit. And Dani was sharp, focused,
a true leader. Together they posed as flight attendants, beauty contestants,
circus performers, and pro-soccer players. They never blew a case, never
lost their man, and they accessorized very well. Then, one day, they closed
it down and went off to lead three very different lives.
Flash forward: Twenty-five years later. Los Angeles, California.
Tess Monahan and Dani Mendez have gathered at the home of their former
partner, Claire Walker-Corley for the marriage of Claire's son. Tess is her
usual sexual live-wire self with a Brazilian boy-toy in tow. Dani has just
been unceremoniously passed over as Chief of the San Francisco PD where the
young cops dare to call her "Mom." And Claire has become a loyal suburban
wife and mother who stores all traces of her former life in her basement.
But with all of their differences and old grudges intact, they still have a
tight bond, especially when it comes to getting the job done. And when
someone starts targeting their children, it's time for them to join forces
once again.
Someone from their past is out to make them pay at last. With the lives of
their kids on the line, it's time for the "LA Dolls" to come out of
retirement and work together like old times. But old times ain't what they
used to be. It involves a lot of ice packs, thugs calling you "ma'am,"
catching up with villains who now use Viagra, and not having a snowball's
chance in hell of posing as a high-priced call girl. Still, with age comes
wisdom, baby. They may be older, but like fine wine, they've only gotten
better. And they will use every bit of their hard-earned life lessons to get
what they need to protect their kids.
Getting back into their old bikinis may be impossible, but getting back into
their old lives is absolutely exhilarating. The ladies can't deny they're
having a ball doing what they do best. But someone else is enjoying being
back in the game, too. Someone who has plotted revenge for twenty-five years
and who will stop at absolutely nothing to see that dish served cold. And if
Dani, Claire, and Tess aren't careful, their first case back could be their
last.
The Actor's Guide To Greed (2005)
Getting butchered at the hands of a serial killer in
the "high concept" slasher film, Creeps, was supposed to revive former child
star Jarrod Jarvis's career. Instead, it's a celluloid Titanic that makes
Patty Duke's turn in Valley of the Dolls look like Swedish art house
restraint. While nursing his wounds at the post-premiere party at a
Starbucks on Beverly Boulevard, Jarrod runs into Wallace Goodwin, one of the
former writers on Go to Your Room, the beloved eighties show that made
Jarrod a star. He's shocked to discover that the neurotic, egotistical
Wallace, whose biggest claim to fame was penning a very special episode of a
Marla Gibbs sitcom and marrying leggy sexpot Katrina, as penned a play bound
for London's West End, with a scene-stealing part for Jarrod. Like they say,
when God closes a door, somewhere, he opens a window seat in coach.
Faster than you can say his catchphrase, "Baby, don't even go there!"
Jarrod's hitting the boards in London… and the boards are hitting back, big
time. As much as the actors all seem to loathe one another, they truly
resent Jarrod. The hotshot young director with a thing for girls named Kate
berates him at every turn. British legend Dame Sylvia Horner is so sloshed
she can barely read her lines. Bollywood beefcake Akshay Kapoor's one facial
expression seems to be handsome glowering - when he isn't making eyes at
Jarrod's hunky LAPD boyfriend, Charlie. And since coming out has made him
hot again, Sir Anthony Stiles wastes no time "tutoring" every young actor in
a twelve-mile radius. Jarrod's only friend in the cast is the formidable
Claire Richards. The sexy, forty-something, champagne-swilling,
Oscar-winning actress is the undisputed star of the show - a lady who can
chew scenery and her co-stars with equal abandon. No one can play a death
scene like La Claire. Except that this time the diva isn't faking it. She's
been poisoned, and the last person to see her alive was Jarrod himself.
Suddenly, Jarrod's gone from begging for a small role as a lab assistant on
Crossing Jordan to being accused of murdering a shining star of the West End
theatre scene and stealing her Oscar from her dressing room.
It's the juiciest scandal to hit London since Prince Harry got caught
smoking pot, and Jarrod has no intention of clicking his heels three times
while repeating, "There's no such thing as bad publicity." He's going to
find out who murdered Claire, clear his own name, and head back to the
insanity he knows and trusts in Los Angeles. What soon becomes obvious is
that there was more backstage drama going on than anything happening on
stage—affairs, lies, secrets, betrayals, blackmail, and a desperate clawing
for fame and fortune that makes anything on reality TV look like a kids'
show.
Outrageous, wild, and absolutely fabulous, Rick Copp's The Actor's Guide
to Greed skewers everything in its path and serves it up with mango
chutney—proof positive that when the tart-tongued Jarrod Jarvis is on the
case, the buzz is very, very good.
The Actor's Guide To Adultery (2004)
They say bad news comes in threes. Jarrod Jarvis is
about to test that theory.
Bad news item #1. Former child actor (and constant comeback candidate)
Jarrod Jarvis fails to convince the California parole board not to release
Wendell Butterworth, the stalker who has followed him since his first Oscar
Meyer commercial. #2. Jarrod's NBC pilot flatlines before it even hits the
air. #3. His agent/best friend Laurette decides to marry gorgeous Juan
Carlos Barranco, a soap actor more wooden than a Steven Seagal romantic
comedy -- and shadier than Cher's plastic surgery denials. To quote the
eighties catchphrase that made Jarrod famous: "Baby, don't even go there!"
But things are about to get worse. During Laurette's drive-thru wedding at
the Hearst Castle, one of the guests has a heated scene of his own with Juan
Carlos--just before he crashes into the three-tier wedding cake, poisoned by
a glass of champagne.
Much to the dismay of Charlie, his hunky LAPD boyfriend, Jarrod is convinced
that Juan Carlos has something to do with the murder, and he's determined to
get the goods on Laurette's new husband, even if it means trailing him to
the set of his latest movie, a "high concept" horror film, and taking a
(gasp!) supporting role. It isn't long before Juan Carlos exposes himself
not as a murderer, but as a Viagra-fueled player who is simultaneously
bedding his sexy, older leading lady, his young female co-star and a hot
Latin man he meets on the QT at a local motel. Talk about the role of a
lifetime. Soon, the question is no longer, "Who is Laurette's new husband
sleeping with?" but "Who isn't he sleeping with?" Juan Carlos seems to be a
man of many secret alliances, including a connection to an embittered
tabloid reporter and a ruthless Miami crime boss who's already made more
than one person disappear. But why would a big-time crime czar be so
interested in the affairs of a really bad soap actor? What other secrets is
Juan Carlos keeping? And did Jarrod really agree to do a movie for scale?
Now, trapped in surreal South Florida, home of early bird specials,
low-budget movies, neon thongs, and, God forbid, his own parents, Jarrod is
living out his worst nightmare, keeping one eye on his best friend's
cheating husband, fighting his own attraction to a butch P.I., playing
opposite a child star who makes Linda Blair's "Exorcist" turn seem charming,
and running from the mob. But while Jarrod has been channeling his inner
MacGyver, following Juan Carlos' every salacious move, someone else has been
tailing Jarrod. Someone who thinks he knows too much for his own good.
Someone with the power to turn a cheesy slasher movie into cinema verite...
and give Jarrod his final screen credit.
Like the wacky love child of Carl Hiassen and John Waters, Rick Copp's
The Actor's Guide to Adultary is another outrageous, wickedly funny,
very sexy mystery featuring the caustic Jarrod Jarvis, who never met a part
he didn't want to take, even if it might get him killed.
The Actor's Guide To Murder (2003)
Baby, don't even go there!
That was Jarrod Jarvis's catch phrase as the adorable, girl-crazy moppet on
the eighties sitcom, Go to Your Room! It was a great ride until the tabloids
caught the popular teen idol kissing another guy at the L.A. gay rodeo. Gay
and teen heartthrob not exactly being career-making words at the time,
Jarrod's star crashed harder than a Kathie Lee Gifford CD.
Flash forward: Now happily living with his cop boyfriend, Charlie, and their
dog, Snickers, in the Hollywood Hills, Jarrod's ready to hit the comeback
trail—but he never imagines how fame will strike this time. At a reading
with his psychic, Jarrod is disturbed to hear that someone close to him will
be murdered and even more shocked when it turns out to be his best friend,
Willard Ray Hornsby, also a former child star. When Willard is found face
down in his own lap pool, the cops call it an accident, but Jarrod's far
from convinced—and he's ready to play the Sherlock Holmes of West Hollywood
to prove his conspiracy theory right.
But what starts in curiosity soon becomes deadly serious. Willard was
keeping some very weighty secrets and even more dangerous company. From a
tattooed body-work specialist to Willard's formidable mother and her
nefarious lover, everyone seems to have had a reason to want him out of the
picture permanently. And when another body turns up, it's clear that in a
town full of actors, somebody's playing the very convincing part of a
killer. Now, among the hustlers and the wannabes, the boy toys, sadistic
acting coaches, and the tabloid press, Jarrod's high-profile sleuthing is
making him once more into a household name. Except this kind of publicity is
a very bad thing—because Jarrod's newest fan is someone who doesn't want an
autograph...he wants him dead.
Fast, furious, and outrageously funny, Rick Copp's debut mystery introduces
a gay sleuth with the panache of William Powell, the timing of Paul Rudnick,
and an acid wit that turns Hollywood deliciously inside out.
Scooby-Doo and the Hex Files (1999) by David Goodman, Gail Herman, and
Rick Copp
Based on the direct-to-video movie Scooby-Doo and the
Witch's Ghost (DVD,VHS)
, this story takes Scooby and his pals to a rock concert where a group
called The Hex Girls cast a spell on the audience - for real! Ages 4-8.
Scooby-Doo! and the Witch's Ghost
(1999) by David Goodman and Rick Copp
Scooby, Shaggy, Fred, Daphne, and Velma are busy sleuthing
when they meet a famous mystery writer. He invites the gang to meet a ghost
scarier than anything in his books! Ages 4-8.
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Rick Copp Is Listed As A Favorite Of (Alphabetical Order By First Name)
P.A. Brown
Rick's Favorite Authors/Books (Alphabetical Order By First Name)
[As of December 9, 2007]
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