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Works by
Sarah Waters
(Writer)
[1966 - ]

Email:  ???
http://www.sarahwaters.com/index.htm
Profile created March 1, 2007
  • Tipping the Velvet (1999) - Winner, 1999 Lambda Literary Award for Lesbian Fiction
    This delicious, steamy debut novel chronicles the adventures of Nan King, who begins life as an oyster girl in the provincial seaside town of Whitstable and whose fortunes are forever changed when she falls in love with a cross-dressing music-hall singer named Miss Kitty Butler. When Kitty is called up to London for an engagement on "Grease Paint Avenue, " Nan follows as her dresser and secret lover, and, soon after, dons trousers herself and joins the act.

    In time, Kitty breaks her heart, and Nan assumes the guise of butch roue to commence her own thrilling and varied sexual education--a sort of Moll Flanders in drag--finally finding friendship and true love in the most unexpected places.

    Drawing comparison to the work of Jeanette Winterson, Sarah Waters's novel is a feast for the senses--an erotic, lushly detailed historical that bursts with life and dazzlingly casts the turn of the century in a different light.

    Movie (2002), Geoffrey Sax, director   DVD VHS (PAL format)
    Dramatized from Sarah Waters' acclaimed debut novel, "Tipping the Velvet" tells the story of Nancy Astley (Rachael Stirling), a young girl who works as cook and waitress in her Father's seaside restaurant - that is until she witnesses the extraordinary performance of a new-to-town male impersonator - Kitty Butler (Keeley Hawes) - and begins to undergo a complete life transformation. Suddenly whipped up - and quickly flung down - by her love affair with Kitty, she experiences both euphoria and deep disillusion as she embarks on a seven-year journey of self-discovery - finally realizing that a life of sensation just isn't enough.

  • Affinity (2000) -- Winner Somerset Maugham Award
    An upper-class woman, recovering from a suicide attempt, visits the women's ward of Millbank prison as part of her rehabilitation. There she meets Selina, an enigmatic spiritualist-and becomes drawn into a twilight world of ghosts and shadows, unruly spirits and unseemly passions, until she is at last driven to concoct a desperate plot to secure Selina's freedom, and her own.

  • Fingersmith (2003) - Winner, 2002 Lambda Literary Award for Lesbian Fiction
    In Victorian England, an orphan girl is sent to a country estate to work for-and ultimately woo-its young heiress, on behalf of a mysterious benefactor known as Gentleman.

    Movie (2005), Aisling Walsh, director  DVD
    Susan Trinder (Sally Hawkins) has been brought up in a house of thieves in London. She gets sucked into a plot by a family friend. She becomes Maud Lilly's (Elain Cassidy) maid so as to get her to marry Mr Richard Rivers. They plan to put Maud in a mental asylum once she marries so they can claim access to her $40,000. The plan becomes a nuisance when Susan mistakenly falls in love with Maud. Eventually it is Susan herself that is committed to the institution in a double cross.

  • The Night Watch (2006) -- Finalist 2006 Lambda Literary Award for Lesbian Fiction
    A novel of relationships set in 1940s London that brims with vivid historical detail, thrilling coincidences, and psychological complexity, by the author of the Booker Prize finalist Fingersmith.

    Sarah Waters, whose works set in Victorian England have awards and acclaim and have reinvigorated the genres of both historical and lesbian fiction, returns with novel that marks a departure from nineteenth century and a spectacular leap forward in the career of this masterful storyteller.

    Moving back through the 1940s, through air raids, blacked-out streets, illicit liasons, and sexual adventure, to end with its beginning in 1941, The Night Watch tells the story of Londoners: three women and a young man with a past-whose lives, and those of their friends and lovers, connect in ways that are surprising not always known to them. In wartime London, the women work-as ambulance drivers, ministry clerks, and building inspectors. There are feats of heroism, epic and quotidian, and tragedies both enormous and personal, but the emotional interiors of her characters that Waters captures with absolute and intimacy.

    Waters describes with perfect knowingness the taut composure of a rescue worker in the aftermath of a bombing, the idle longing of a young woman her soldier lover, the peculiar thrill convict watching the sky ignite through the bars on his window, the hunger a woman stalking the streets for encounter, and the panic of another who sees her love affair coming end. At the same time, Waters is absolute control of a narrative that offers up subtle surprises and exquisite twists, even as it depicts the impact grand historical event on individual lives.

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