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Sherman Alexie (Writer)
[October 7, 1966 - ] |
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http://www.fallsapart.com
Profile created March 21, 2008
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Flight (2007)
The best-selling author of multiple award-winning
books returns with his first novel in ten years, a powerful, fast and
timely story of a troubled foster teenager — a boy who is not a “legal”
Indian because he was never claimed by his father — who learns the true
meaning of terror. About to commit a devastating act, the young man finds
himself shot back through time on a shocking sojourn through moments of
violence in American history. He resurfaces in the form of an FBI agent
during the civil rights era, inhabits the body of an Indian child during
the battle at Little Big Horn, and then rides with an Indian tracker in
the 19th Century before materializing as an airline pilot jetting through
the skies today. When finally, blessedly, our young warrior comes to rest
again in his own contemporary body, he is mightily transformed by all he’s
seen. This is Sherman Alexie at his most brilliant — making us laugh while
breaking our hearts. Simultaneously wrenching and deeply humorous, wholly
contemporary yet steeped in American history, Flight is
irrepressible, fearless, and again, groundbreaking Alexie.
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Indian Killer (1996)
Native American Sherman Alexie's new novel is a
departure in tone from his lyrical and funny earlier work, which include
The Lone Ranger and Tonto Fistfight in Heaven and Reservation Blues. The
main character is an Indian serial killer who incites racial tension by
murdering whites in retribution for his people's history. The killer
leaves clear signs of his motives by scalping his victims, and leaving
feathers as gestures of Indian defiance. The killer is a conflicted
creation--raised by loving white parents, but twisted by loss of his
identity as an Indian. Alexie layers the story with complications and
ancillary characters, from a rabid talk show host, to vengeance seeking
whites, to liberals who find their patronizing espousal of Indian causes
no longer so easy.
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Reservation Blues (1995) -- Winner American Book Award
In 1931, Robert Johnson allegedly sold his soul to
the devil, receiving legendary blues skills in return. He went on to
record only twenty-nine songs before being murdered on August 16, 1938. In
1992, however, Johnson suddenly reappears on the Spokane Indian
Reservation and meets Thomas Builds-the-Fire, the misfit storyteller of
the Spokane Tribe. When Johnson passes his enchanted instrument to Thomas
- lead singer of the rock-and-roll band Coyote Springs - a magical odyssey
begins that will take the band from reservation bars to small-town
taverns, from the cement trails of Seattle to the concrete canyons of
Manhattan.
Sherman Alexie imaginatively mixes narrative, newspaper excerpts, songs,
journal entries, visions, radio interviews, and dreams to explore the
effects of Christianity on Native Americans in the late twentieth century.
In addition, he examines the impact of cultural assimilation on the
relationships between Indian women and Indian men. Reservation Blues
is a painful, humorous, and ultimately redemptive symphony about God and
indifference, faith and alcoholism, family and hunger, sex and death.
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Dangerous Astronomy (2005)
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Il powwow della fine del mondo (2005)
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One Stick Song (2000)
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The Man Who Loves Salmon (1998)
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The Summer of Black Widows (1996)
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Water Flowing Home (1996)
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First Indian on the Moon (1993 )
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Old Shirts & New Skins (1993) with Elizabeth Woody, Illustrator
Sherman Alexie's poetic power renders an honest and
painful perception of contemporary Native American life. In this
collection, Alexie, a poet of the Coeur d'Alene people, speaks for the
spirit of Native American resistance, determination, and sovereignty,
compelling readers to confront reality with his honest and inspiring
vision. Remarkable in its candor and gracefully constructed, this
collection of poems binds us to the present and, at the same time,
connects us to the voices of the past.
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Seven Mourning Songs for the Cedar Flute I Have Yet to Learn to Play
(1993)
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I Would Steal Horses (1993)
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The Business of Fancydancing: Stories and Poems (1991)
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Ten Little Indians (2003)
Sherman Alexie is one of our most acclaimed and
popular writers today. With Ten Little Indians, he offers nine
poignant and emotionally resonant new stories about Native Americans who,
like all Americans, find themselves at personal and cultural crossroads,
faced with heartrending, tragic, sometimes wondrous moments of being that
test their loyalties, their capacities, and their notions of who they are
and who they love. In Alexie's first story, "The Search Engine," Corliss
is a rugged and resourceful student who finds in books the magic she was
denied while growing up poor. In "The Life and Times of Estelle Walks
Above," an intellectual feminist Spokane Indian woman saves the lives of
dozens of white women all around her to the bewilderment of her only
child. "What You Pawn I Will Redeem" starts off with a homeless man
recognizing in a pawnshop window the fancy-dance regalia that were stolen
fifty years earlier from his late grandmother. Even as they often make us
laugh, Alexie's stories are driven by a haunting lyricism and naked candor
that cut to the heart of the human experience, shedding brilliant light on
what happens when we grow into and out of each other.
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The Toughest Indian in the World (2000)
A beloved American writer whose books are championed
by critics and readers alike, Sherman Alexie has been hailed by Time as
"one of the better new novelists, Indian or otherwise." Now his acclaimed
new collection, The Toughest Indian in the World, which received
universal praise in hardcover, is available in paperback. In these
stories, we meet the kind of American Indians we rarely see in literature
-- the kind who pay their bills, hold down jobs, fall in and out of love.
A Spokane Indian journalist transplanted from the reservation to the city
picks up a hitchhiker, a Lummi boxer looking to take on the toughest
Indian in the world. A Spokane son waits for his diabetic father to come
home from the hospital, tossing out the Hershey Kisses the father has
hidden all over the house. An estranged interracial couple, separated in
the midst of a traffic accident, rediscover their love for each other. A
white drifter holds up an International House of Pancakes, demanding a
dollar per customer and someone to love, and emerges with $42 and an
overweight Indian he dubs Salmon Boy. Sherman Alexie's voice is one of
remarkable passion, and these stories are love stories -- between parents
and children, white people and Indians, movie stars and ordinary people.
Witty, tender, and fierce, The Toughest Indian in the World is a
virtuoso performance by one of the country's finest writers.
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The Lone Ranger and Tonto Fistfight in Heaven (1993)
When it was first published in 1993, The Lone
Ranger and Tonto Fistfight in Heaven established Sherman Alexie as a
stunning new talent of American letters. The basis for the award-winning
movie Smoke Signals, it remains one of his most beloved and widely
praised books. In this darkly comic collection, Alexie brilliantly weaves
memory, fantasy, and stark realism to paint a complex, grimly ironic
portrait of life in and around the Spokane Indian Reservation. These
twenty-two interlinked tales are narrated by characters raised on
humiliation and government-issue cheese, and yet are filled with passion
and affection, myth and dream. Against a backdrop of alcohol, car
accidents, laughter, and basketball, Alexie depicts the distances between
Indians and whites, reservation Indians and urban Indians, men and women,
and, most poetically, modern Indians and the traditions of the past.
The Absolutely True Diary of a Part-Time Indian
(2007) with art by Ellen Forney
In his first book for young adults, bestselling
author Sherman Alexie tells the story of Junior, a budding cartoonist
growing up on the Spokane Indian Reservation. Determined to take his
future into his own hands, Junior leaves his troubled school on the rez to
attend an all-white farm town high school where the only other Indian is
the school mascot. Heartbreaking, funny, and beautifully written, The
Absolutely True Diary of a Part-Time Indian, which is based on the
author's own experiences, coupled with poignant drawings by acclaimed
artist Ellen Forney, that reflect the character's art, chronicles the
contemporary adolescence of one Native American boy as he attempts to
break away from the life he was destined to live.
Other
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Will Work For Peace: New Political Poems (Date?), Brett Axel, ed.
Multi-cultural, cross-generational anthology of new
political poetry of 144 living poets from every continent on Earth.
Includes work by
Alix Olson, Amy Ouzoonian, Bill Zavatsky, Bob Holman, Carolyn Kizer,
Charles Fishman, Charles Potts, Cid Corman, Colette Inez, Cristin Aptowicz,
Daniela Gioseffi, David Ray, Dean Blehert, Diane di Prima, Donald Hall,
Edwin Torres, Elaine Equi, Ellen Bass, Francis Driscoll, Guy LeCharles
Gonzalez, Janet Hamill, Lamont Steptoe, Leslea Newman, Lyn Lifshin,
Marge Piercy, Marilyn Chin, Martin Espada, Maude Meehan, Maxine Chernoff,
Michael Cadnum, Nicole Blackman, Peter Viereck, Regie Cabico, Roger
Bonair-Agard, Sarah Jones,
Sherman
Alexie,
Susan Griffin, Taylor Mali, Thaddeaus Rutkowski, and W. D.
Snodgrass
See also:
In this first book-length examination of Native
American poet, novelist, filmmaker, and short story writer Sherman Alexie,
Daniel Grassian offers a comprehensive look at a writer immersed in
traditional Native American, as well as mainstream American, culture.
Grassian takes readers through Alexie’s career, from his first collections
of poetry, The Business of Fancydancing and Old Shirts and New Skins,
through such novels as Reservation Blues and Indian Killer, to the recent
short story collection Ten Little Indians. Grassian suggests that Alexie’s
oeuvre reflects his primary artistic challenge: how to write about Indians
in a predominantly televisual country that distorts and complicates the
importance and nature of ethnicity itself.
Drawing comparisons with such established Native American writers as N.
Scott Momaday and James Welch as well as with Generation X peers, Grassian
presents Alexie’s work as equally informed by Native American culture and
generic, mainstream influences. He demonstrates how Alexie utilizes
popular culture and connects it to the lives of Native Americans as his
art transforms the conventional tools of cultural colonization into a
means of Native American empowerment.
Grassian explores Alexie’s ability to counteract lingering stereotypes of
Native Americans, his challenges to the dominant American history, and his
suspicion of the New Age movement. The picture of Alexie that emerges from
Grassian’s text is one of a writer who is fiercely talented, intelligent,
witty, and honest, a writer committed to helping readers understand
contemporary Native American lives, even if his work sometimes portrays
both Native Americans and non-Natives in an unfavorable light.
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