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Works by
William Styron
(Writer)

[1925 - 2006]

Website:  ???
Profile created November 2, 2006
  • The Way of the Warrior (1996)

  • A Tidewater Morning (1993)
    In this brilliant collection of "long short stories, " the Pulitzer Prize-winning author of Sophie's Choice returns to the coastal Virginia setting of his first novels. Through the eyes of a man recollecting three episodes from his youth, William Styron explores with new eloquence death, loss, war, and racism.

  • The Long March and In the Clap Shack (1993)
    Two extraordinary works about soldiers in a time of dubious peace by a writer of vast eloquence and moral authority. With stylistic panache and vitriolic wit, William Styron depicts conflicts between men of somewhat more than average intelligence and the military machine. In The Long March, a novella, two Marine reservists fight to retain their dignity while on a grueling exercise staged by a posturing colonel. The uproariously funny play In the Clap Shack charts the terrified passage of a young recruit through the prurient inferno of a Navy hospital VD ward. In both works, Styron wages a gallant defense of the free individual--and serves up a withering indictment of a system that has no room for individuality or freedom.

  • This Quiet Dust and Other Writings (1982, revised 1993)
    In an age when much American writing is either glacially noncommittal or heremetically personal, William Styron persists in addressing great moral issues with incendiary passion. Seriousness and ardor characterize all the essays in This Quiet Dust, the first book of nonfiction by the Pulitzer Prize -- winning author of Lie Down in Darkness and Sophie's Choice.

    In this new edition, which has been updated with the inclusion of six previously uncollected essays, Styron covers a wide range of concerns; yet whether he is recounting his search for the historic Nat Turner, peering into the abyss of Auschwitz, navigating the battlefields of Vietnam and Chicago in 1968, or offering fresh assessments of Thomas Wolfe, F. Scott Fitzgerald, William Faulkner, James Jones, and Robert Penn Warren, Styron is always a consummate literary stylist, one who is as engaging as he is engaged.

  • Darkness Visible: A Memoir of Madness (1990)
    A work of great personal courage and a literary tour de force, this bestseller is Styron's true account of his descent into a crippling and almost suicidal depression. Styron is perhaps the first writer to convey the full terror of depression's psychic landscape, as well as the illuminating path to recovery.

  • Sophie's Choice (1979)
    Three stories are told: a young Southerner wants to become a writer; a turbulent love-hate affair between a brilliant Jew and a beautiful Polish woman; and of an awful wound in that woman's past--one that impels both Sophie and Nathan toward destruction.

  • The Confessions of Nat Turner (1967)
    In the late summer of 1831, in a remote section of southeastern Virginia, there took place the only effective, sustained revolt in the annals of American Negro slavery...

    The revolt was led by a remarkable Negro preacher named Nat Turner, an educated slave who felt himself divinely ordained to annihilate all the white people in the region.

  • Set This House on Fire (1960)
    Three Americans converge in an Italian village shortly after World War II. One is a naive Southern lawyer. One is a rough-edged artist with a fatal penchant for alcohol. And one is a charming and priapic aristocrat who may be the closest thing possible to pure wickedness in an age that has banished the devil along with God. Out of their collective alchemy William Styron has crafted an electrifying and deeply unsettling novel of rape, murder, and suicide -- a work with a Dostoevskian insight into the dreadful persuasiveness of evil.

  • The Long March (1952 serial, 1956 book)
    His second book,a paperback original. No hardcover edition was issued until 1962 in Britain and 1968 in the U.S.

    In the blaze of a Carolina summer, among the poison ivy and loblolly pines, eight Marines are killed almost casually by misfired mortar shells. Deciding that his batallion has been "doping off," Colonel Templeton calls for a 36-mile forced march to inculcate discipline. THE LONG MARCH is a searing account of this ferocious ordeal--and of the two officers who resist.

  • Lie Down in Darkness (1951)
    William Styron traces the betrayals and infidelities--the heritage of spite and endlessly disappointed love--that afflict the members of a Southern family and that culminate in the suicide of the beautiful Peyton Loftis.

Other:
See also:
  • Writers Notes Magazine, Issue 5 (2005)

  • The Spooky Art: Thoughts on Writing (2003) by Norman Mailer
    Throughout, Mailer ties in examples from his own career, and reflects on the works of his fellow writers, living and dead -- Ernest Hemingway, Herman Melville, Joan Didion, John Updike, Mark Twain, Samuel Beckett, Saul Bellow, William Faulkner, William Styron, and a host of others. In The Spooky Art, Mailer captures the unique untold suffering and exhilaration of the novelist’s daily life and, while plotting a clear path for other writers to follow, maintains reverence for the underlying mystery and power of the art.

  • William Styron: A Life (1998) by James L.W. West III
    On the door to William Styron's writing  studio is a quotation from Flaubert:  "Be regular and orderly in your life so that you may be violent and original in your work." Styron has lived by that injunction,  addressing major subjects--slavery, the Holocaust, mental illness--with a power that has gripped readers around the world.

    Though reared in the South, Styron spent most of his adult working life in the North. His first book, Lie Down in Darkness, was a brilliant debut, which inspired him to go abroad for the first time. In Paris, he fell in with other young American writers and helped found The Paris Review along with George Plimpton and Peter Matthiessen. Styron spent a year in Rome, married, and returned to the States.

    After writing Set This House on Fire, an ambitious novel set in Italy, he began working on The Confessions of Nat Turner, the moving story of a slave rebellion in Virginia. James Baldwin, who lived in a small house on Styron's property in Connecticut during this period, became a sounding board, as well as an inspiration, for the novel. It was also about this time that Styron began lifelong associations with Philip Roth, Arthur Miller, Carlos Fuentes, Willie Morris, and, in particular, James Jones. Readers will be fascinated by the full story of Styron's feud with Norman Mailer, an estrangement so severe that each refused to speak to the other for almost twenty-five years.

    Styron's political life has been active, from his presence at the riot-torn l968 Democratic national convention in Chicago to his controversial long-term opposition to the death penalty.

    The Confessions of Nat Turner made Styron famous, but it also brought him under attack. At one point, the explosive reaction to the novel led Styron to imagine that his wife, Rose, had been abducted.

    In Sophie's Choice, Styron turned to another charged subject--the Holocaust--and Auschwitz became the focus of his life for several years. The result was a novel that added a major tragic figure, Sophie Zawistowska, to the enduring literature of our time.

    In the aftermath of a mental breakdown, Styron produced the unflinchingly candid Darkness Visible, a book that dramatically altered the nation's negative perception of clinical depression.

    James West has studied William Styron's life and career for over twenty years. He has had complete access not only to Styron's papers, letters, and manuscripts, but also to his friends, and has produced an outstanding portrait of one of the most controversial and admired authors of his generation.

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