Affiliates
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Works by
Norman Mailer
(Writer)
[January 31, 1923 – November 10, 2007]
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Email:
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Website: ??? Profile created
August 11, 2005 |
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The Naked and the Dead (1948,
2000)
Hailed as one of the finest novels to come out of the Second World
War, The Naked and the Dead received unprecedented critical
acclaim upon its publication and has since enjoyed a long and
well-deserved tenure in the American canon. This fiftieth
anniversary edition features a new introduction created especially
for the occasion by Norman Mailer. Written in fascinating detail,
the story follows a platoon of foot soldiers who are fighting for
the possession of the Japanese-held island of Anopopei.
Composed in 1948 with the wisdom of a man twice Mailer's age and the
raw courage of the young man he was, The Naked and the Dead
is representative of the best in twentieth-century American writing.
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The Deer Park (1955)
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The White Negro (1957)
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Advertisements for Myself (1959)
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The Presidential Papers (1963)
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An American Dream (1965) -
Why Are We in Vietnam? (1967) -- Winner The Pulitzer
Prize For Fiction
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The Armies of the Night: History As a Novel, the Novel as Historyt (1968) – Winner
1969 Pulitzer
Prize
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The Idol and the Octopus (1968)
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Miami and the Siege of Chicago (1968)
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Of a Fire on the Moon (1970)
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The Prisoner of Sex (1971)
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King of the Hill (1971)
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The Long Patrol: 25 years of writing from the work of Norman Mailer (1971)
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St. George and the Godfather (1972)
See also George
McGovern.
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Existential Errands (1972)
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Marilyn, a Biography (1973)
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Genius and Lust: A Journey Through the Major Writings of Henry Miller
(1976)
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Some Honorable Men (1976)
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The Executioner's Song (1979, 1998) --
Winner 1980
Pulitzer
Prize
In what is arguably his greatest book, America's most heroically
ambitious writer follows the short, blighted career of Gary Gilmore,
an intractably violent product of America's prisons who became
notorious for two reasons: first, for robbing two men in 1976, then
killing them in cold blood; and, second, after being tried and
convicted, for insisting on dying for his crime. To do so, he had to
fight a system that seemed paradoxically intent on keeping him alive
long after it had sentenced him to death.
Norman Mailer tells Gilmore's story--and those of the men and women
caught up in his procession toward the firing squad--with implacable
authority, steely compassion, and a restraint that evokes the
parched landscapes and stern theology of Gilmore's Utah. The
Executioner's Song is a trip down the wrong side of the tracks
to the deepest sources of American loneliness and violence. It is a
towering achievement--impossible to put down, impossible to forget.
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Of Women and Their Elegance (1980)
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Pieces and Pontifications (1982)
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The Essential Mailer (1982)
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Ancient Evenings (1984)
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Tough Guys Don't Dance (1984)
Movie 1987 (DVD
VHS) Written And Directed By Norman Mailer, Starring Ryan O'neal, Isabella Rosselini, Debra Sandlund, Wings Hauser. A Parody Of
The Chandler's Style And Film Noir.
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Huckleberry Finn, Alive at 100 (1985)
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Harlot's Ghost (1991)
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Pablo and Fernande (1994)
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Oswald's Tale: An American Mystery (1995)
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Portrait of Picasso As a Young Man (1995)
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The Gospel
According to the Son (1997)
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The Time of Our Time (1998)
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The Spooky Art: Thoughts on Writing (2003)
In The Spooky Art,
Norman Mailer discusses with
signature candor the rewards and trials of the writing life, and
recommends the tools to navigate it. Addressing the reader in a
conversational tone, he draws on the best of more than fifty years
of his own criticism, advice, and detailed observations about the
writer’s craft. Mailer explores, among other topics, the use of
first person versus third person, the pressing need for discipline,
the pitfalls of early success, and the dire matter of coping with
bad reviews. While The Spooky Art offers a fascinating
preview of what can lie in wait for the student and fledgling
writer, the book also has a great deal to say to more advanced
writers on the contrary demands of plot and character, the demon
writer’s block, and the curious ins-and-outs of publishing.
Throughout, Mailer ties in examples from his own career, and
reflects on the works of his fellow writers, living and dead --
Ernest Hemingway,
Herman Melville,
Joan Didion,
John Updike,
Mark
Twain, William Faulkner,
Samuel Beckett,
Saul Bellow,
William Styron, and a host of
others. In The Spooky Art, Mailer captures the unique untold
suffering and exhilaration of the novelist’s daily life and, while
plotting a clear path for other writers to follow, maintains
reverence for the underlying mystery and power of the art.
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On God: Un Uncommon Conversation (2007) with Michael Lennon
A towering figure in American literature, Norman Mailer has in
recent years reached a new level of accessibility and power. His
last novel,
The Castle in the Forest
, revealed fascinating ideas about faith
and the nature of good and evil. Now Mailer offers his concept of
the nature of God. His conversations with his friend and literary
executor, Michael Lennon, show this writer at his most direct,
provocative, and challenging. “I think,” writes Mailer, “that piety
is oppressive. It takes all the air out of thought.”
In moving, amusing, probing, and uncommon dialogues conducted over
three years but whose topics he has considered for decades, Mailer
establishes his own system of belief, one that rejects both
organized religion and atheism. He presents instead a view of our
world as one created by an artistic God who often succeeds but can
also fail in the face of determined opposition by contrary powers in
the universe, with whom war is waged for the souls of humans. In
turn, we have been given freedom–indeed responsibility–to choose our
own paths. Mailer trusts that our individual behavior–always a
complex mix of good and evil–will be rewarded or punished with a
reincarnation that fits the sum of our lives.
Mailer weighs the possibilities of “intelligent design” at the same
time avowing that sensual pleasures were bestowed on us by God; he
finds fault with the Ten Commandments–because adultery, he avers,
may be a lesser evil than others suffered in a bad marriage–and he
holds that technology was the Devil’s most brilliant creation.
In short, Mailer is original and unpredictable in this inspiring
verbal journey, a unique vision of the world in which “God needs us
as much as we need God.”
From
The Naked and the Dead
to The Executioner’s Song and beyond, Mailer’s
major works have engaged such themes as war, politics, culture, and
sex. Now, in this small yet important book, Mailer, in a modest,
well-spoken style, gives us fresh ways to think about the largest
subject of them all.
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The Castle in the Forest: A Novel
(2007)
No career in modern American letters is at once so brilliant,
varied, and controversial as that of Norman Mailer. In a span of
more than six decades, Mailer has searched into subjects ranging
from World War II to Ancient Egypt, from the march on the Pentagon
to Marilyn Monroe, from Henry Miller and Mohammad Ali to Jesus
Christ. Now, in The Castle in the Forest, his first major
work of fiction in more than a decade, Mailer offers what may be his
consummate literary endeavor: He has set out to explore the evil of
Adolf Hitler.
The narrator, a mysterious SS man who is later revealed to be an
exceptional presence, gives us young Adolf from birth, as well as
Hitler’s father and mother, his sisters and brothers, and the
intimate details of his childhood and adolescence.
A tapestry of unforgettable characters, The Castle in the Forest
delivers its playful twists and surprises with astonishing insight
into the nature of the struggle between good and evil that exists in
us all. At its core is a hypothesis that propels this novel and
makes it a work of stunning originality. Now, on the eve of his
eighty-fourth birthday, Norman Mailer may well be saying more than
he ever has before.
Other:
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Smiling through the Apocalypse: Esquire's History of the Sixties (1970)
by Harold Hayes
Includes contributions by Gore Vidal,
James Baldwin,
Norman Mailer,
Saul Bellow,
Timothy Leary,
Tom Wolfe,
William F. Buckley Jr.,
William Burroughs, and
William Styron.
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The Modern Short Story in the Making
(1964)
With selections by
Erskine Caldwell, James T. Farrell,
Katherine Anne Porter, Luigi
Pirnadello, Norman Mailer,
Tennessee Williams,
Truman Capote,
William Saroyan, et al.
See also:
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