(Keeping Yourself) Current @ DREAMWalker
Group
Although we
do everything we can to keep your profile current, it's best if you
contact us when you release a new book or have changes you need made to
the profile. |
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DREAMWalker
Group is a collective of inspired individuals who are dedicated to the
idea that if one person sparkles, a group of people are brilliant.
As proprietor
of DREAMWalker Group, it is
Michael Walker's
desire to express a deep sense of gratitude for all the good that has
entered and continues to enter his life. To do this, he has created a
site that offers free web profiles to creative people and
provides a "one stop" venue for creative information and creative,
spirit-based support. Insofar as this is a free site, he is also hopeful
that this site will eventually become self-supporting. To make this a
possibility, visitors to the site are encouraged to buy at least one
item a year through the
Amazon.com
and other affiliate links.
NOTE:
Profile pages can include the following information (or more):
- Contact
information (website and email, if desired)
- An
historical listing of published books (current and out-of-print)
- An
historical listing of published CDs and tapes (when possible)
-
Cross-links to other subject-related books and authors at DREAMWalker
Group
- Links
from author's book directly to Amazon.com (the money we make,
currently about $400 per year, helps pay for the maintenance of this
free site.
Our
Pledge to Share
DREAMWalker
Group is a free site. We believe that charging creative people for
their profiles is unwarranted. It is our primary purpose to give back
to this brilliant, inspired, and inspirational community for all the
wonderful things they've created and continue to create.
Insofar as
giving is good; receiving is also a nice thing. As is the maintenance
of a standard of living that is conducive to happy creativity. So as
part of its mission to give and receive, DREAMWalker Group hereby
promises the following:
To
give back to the community a full 40%
of all additional money earned over and above $100,000 via DREAMWalker
Group. (We haven't decided how best to do that just yet, but it will no
doubt be in the way of several scholarships or prizes to current and
future brilliant, creative folks and to supporting the literary/artistic
community in other ways.)
-- Money
earned under $100,000 will be used to provide a decent standard of
living and for DREAMWalker Group's proprietor (Michael
Walker)
and to defray the costs of running this site.
-- A full
accounting of money earned and given away will be provided at
Our Income and Site
Statistics
page.
---
To recap:
Once we pass the $100,000 mark (per year), DREAMWalker Group
will give back to the community a full 40% of all additional
money earned via this site.
This means that:
-- Out of
every additional $100,000 earned over the initial compensation of
$100,000, DREAMWalker Group will give
back $40,000.00 to the creative community;
-- Out
of every $1,000,000 earned, DREAMWalker Group
will give back
$400,000.00; and
--
Out
of every $10,000,000 earned, DREAMWalker Group
will give back
$4,000,000.00. Etc.
Who will benefit most from this?
1. The brilliant, creative
folks who continue to get free publicity and exposure via this
continually growing and popular website.
2.
Their
publishers who can run free ads at the site - once they agree to provide
cross links to DREAMWalker Group or free advertising in return.
3.
DREAMWalker Group's proprietor (Michael
Walker).
Possibly freed from the burden of working a day job, he'll have more
time and money to use in maintaining this site.
4.
Amazon.com - Out of 351 referrals in
2007, DREAMWalker Group earned $304.12 and Amazon.com brought in a
whopping $5,756.71). Just do the math!
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From January 1, 2008 through March 10, 2008, we added
profiles for the following brilliant people:
Al Karasa,
Alex Grey,
Ali Smith,
Allen Raymond,
Amjeed Kabil,
Amy Cohen,
André Aciman,
Andrew Morton,
Anita Diamant,
Aoibheann Sweeney,
Barry T. Klein,
Bett Norris,
Bob Dole,
Brad Rader,
C.E. Murphy,
Carson McCullers,
Chieh Chieng,
Chris Beakey,
Chris Van Allsburg,
Christopher Kelly,
Clara Nipper,
Corrina Wycoff,
Cris Mazza,
Dale Pendell,
Dan Gilgoff,
Daniel Edward Craig,
David Allyn,
David Sosnowski,
Deborah Eisenberg,
Dennis Kucinich,
Don Domanski,
Dorothy Dunnett,
Douglas Bauer,
Elizabeth Gaskell,
Elizabeth Knox,
Elizabeth Whitney,
Emma Darwin,
Eric Alterman,
Erica Spindler,
Ethan Nadelmann, Ph.D.,
Faith Sullivan,
Father John W. Groff, Jr.,
Francis Huxley,
Gail Godwin,
Gary Charles Wilkens,
Gary Indiana,
Gary Zukav,
Geoffrey Young,
George Eliot,
George McGovern,
Gerald R. Ford,
Glen David Gold,
Gloria Steinem,
Grant Naylor,
Gregory Corso,
Gwyn Hyman Rubio,
Gypsy Rose Lee,
Henri Cole,
Holly Farris,
Ian Spiegelman,
Ira Levin,
J. P. Harpignies,
Jack Finney,
James Bennett,
James Morrison,
James Schuyler,
James St. James,
Jane Harris,
Jane Smiley,
Jean-Francois Revel,
Jen Wright,
Jennifer Harris,
Jennifer McMahon,
Jennifer Parello,
Jerry Wennstrom,
Jim Kelly,
Jim Nason,
John Kenneth Galbraith,
John Mohawk,
Johnny Diaz,
Karen Joy Fowler,
Kathleen (Kat) Harrison,
Kemble Scott,
Kenny Ausubel,
Keri Hulme,
KG MacGregor,
KI Thompson,
Larry Coles,
Laura Chester,
Laura Z. Hobson,
Lee Smith,
Leonard Cohen,
Linda Francis,
Lionel Shriver,
Lois-Ann Yamanaka,
Lorin Gaudin,
Luis Eduardo Luna, Ph.D.,
Mac Hyman,
Maharishi Mahesh Yogi,
Mari SanGiovanni,
Maria V. Ciletti,
Marian Seldes,
Mark Helprin,
Mark R. Probst,
Mark Yakich,
Marlon James,
Mary Doria Russell,
Mary Karr,
Matthieu Ricard,
Maurice Shadbolt,
Michael Eric Dyson,
Michael Frayn,
Michael J. Eardley,
Michael Luongo,
Michael Quadland,
Misha Defonseca,
Myriam Gurba,
Nadine Gordimer,
Ned Sublette,
Nigel Jenkins,
Nina Newington,
Norman Levine,
Norman Vincent Peale,
Pamela Binnings Ewen,
Pat Nelson Childs,
Paul Laurence Dunbar,
Paula Morris,
Paula Offutt,
Peggy Scott Laborde,
Perry Moore,
Peter Orlovsky,
Philippa Gregory,
Phillipa Ashley,
Piers Anthony,
Ralph Nader,
Rebeca Antoine,
Richard David Kennedy, Robert
W. Cabell,
Roberto C. Ferrari,
Robin Reardon,
Roddy Lumsden,
Rosy Thornton,
Royston Tester,
Ruth Stafford Peale,
Sarah Goodyear,
Shonia L. Brown,
Simon Mawer,
Skyy,
Stacey Levine,
Stephen G. Post,
Steve Pierce,
Steven Stanley,
Stevie Davies,
Sue Miller,
Thomas Hardy,
Tom Harpur,
Vincent Quinn,
Wade Davis,
Walter M. Miller, Jr.,
William Bronk,
William F. Buckley, Jr.,
Wislawa Szymborska,
Yosano Akiko,
Yukio Mishima,
Zadie Smith,
and
Zbigniew Herbert
*Note: some profiles may still be under construction.
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Namaste. Welcome to the second 2008 issue of DREAMScene -- the electronic
newsletter of DREAMWalker Group.
In this issue, we'll bring you up to date on some of the
things happening at our site. Things like:
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This month we have another installment of Gail
Fonda's
column, Ask Gail.
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On
January 16, 2008 I began offering "Creativity
Readings"
for brilliant people in need of assistance in contacting The
Muse per creativity issues. Like everything at DREAMWalker
Group, the readings are free. However, donations and
creative swaps (barters) are accepted.
We hope you'll enjoy this issue and anticipate more frequent updates
in the future!
Michael Walker
Proprietor
alter_mike-dreamwalkergroup@yahoo.com
Missed an issue of this newsletter?
Click here
to view old issues online
Return to Top |
For a list of all general topics of
interest, go to the
General Community.
For a similar list of topics related to other communities, go to
that specific community*.
To date, the communities include
Arts,
Disability,
General,
GayLesBi,
Literary,
Recovery,
Seniors,
Spirit-Guided,
and
Transgender.
(Feel free to
email us and
offer
suggestions for new topics
or topics related to your own avocation
or genre.)
*Note that a topic may be under
construction.
-
Check
out
Richard David Kennedy's new
blog, The Portfolio, at
http://rdkpf.blogspot.com.
He describes it as a repository for writers of all genres.
Visit his site, complete the author submission form, and
begin sharing to your heart's content!
-
Writer,
director and producer Jim
Tushinski
is seeking tax-deductible contributions for his next project,
Dirty Poole. This is the story of the influential, pioneering
filmmaker
Wakefield Poole,
whose films changed the face of adult gay films and of American
independent and underground cinema. If you have an interest in
the art and culture and history of the 1970s or in gay culture in
general, consider helping out by visiting
htttp://www.dirtypoole.com.
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Eckhart Tolle's
A New Earth: Awakening to Your Life's Purpose
is the new
Oprah's Book Club Pick.
New releases at
DREAMWalker Group:
1.
The End of the World Book: A Novel
by Alistair
McCartney
( Watch
video)
2.
High Risk by
Rick R. Reed
3.
Desert Cut
by Betty Webb
If you have a new release you'd
like us to notice, drop us a line at:
alter_mike-dreamwalkergroup@yahoo.com .
Advance copies gladly accepted c/o:
Michael Walker 2039 New Hampshire Avenue, NW
Washington, DC 20009
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2) A DREAMScene
Interview: Jerry Wennstrom
At the age of 29
artist
and author
Jerry
Wennstrom
let go of his identity by destroying his large body of art
and giving away all of his possessions. After living a
deliberately simple, spiritual life for 15-years he
eventually moved to Whidbey Island, married his life
partner,
Marilyn Strong
and began doing art again. He now has a large, new body of
art, travels nationally teaching, lecturing, and presetting
his art and the films that were made about his life. He
continues to do his
art
and writes a monthly column for
Inferential Focus
a
New York City think tank and consulting firm.
DREAMWalker
Group:
As a culminating creative act you
destroyed your large body of art, gave everything you owned
away and lived this way for over 15 years. This pivotal act
shifted the focus of your life and took you away from your
identity as an artist/painter. What meaning did you find in
this radical shift?
Jerry Wennstrom:
I found all the meaning in the
world! The shift itself continues to be the most important
and meaningful experience of my life. I am convinced that
high art and the cutting edge of the creative human
experience can only be accessed through a direct
relationship to the source. The absence of any interface and
trust in something unseen are required of this relationship.
It is in our willingness to courageously
turn and walk into those areas of our lives where our
identity, as an ego, might come undone that we find
inspiration. It is in this undoing that we find our true
identity, separate from any limiting, known reference point in
the world. As our controlled, ego creation begins to diminish,
a unique creative expression begins to emerge.
Most of us seek some kind of individual expression in the
world, and we do so, mostly, in insignificant ways. These ways
often reflect or slightly improve on what others might already
be doing. To fully inhabit one's individual expression,
without reference point to the known world, is a very lonely
business. It is this inherent loneliness keeps most of us from
fully exploring the territory.
It is the nature of the ego, bent on control, to fear change.
The ego interprets any radical departure from a personal or
cultural fix as sure death to its existence and it is entirely
correct in this assessment. Something old and calcified must
die for anything new to be born. It is in the metaphoric
"dying" that the inspired possibilities for our lives come
alive. There is a quote by Yogananda that alludes to this
strange paradox, "To set out on any holy purpose and to 'die'
along the way is to succeed." Most of us are too busy
"surviving" to open ourselves to the unreasonable requirements
of this paradox.
DWG: How did death lead to renewal for
you as an artist?
JW: Seeing the pitfalls of denial and
fear in myself as a young artist, I saw no alternative but to
face the metaphor of death and open myself to the potential it
had to influence and enhance my life. If art is to deliver all
of one's reality onto the solid ground of a more meaningful
and inspired life (which is what I believe it should do) then
it was the gift of death that did this for me. As a path of
discovery, I believed in art with all of my heart and soul,
producing an enormous body of work.
This path took me to an edge where I could do no more with
my will, intelligence or good intentions. I was experiencing
the death of everything I most identified with as an artist.
It was here that two choices became clear to me. I could back
away in fear or I could trust the path of art right to the
very end and surrender to something unknown, which is what I
did.
In retrospect, I find it paradoxical and a little comical that
"dying" of my identity as an artist has done more to bring my
artistic expression into the public light than years of
painting in the studio ever did!"
DWG: How does the artist's personal
experience, like you describe, ultimately have an effect on
society?
JW: We are
in a transitional period in our world and many of us are
intuiting the need to stop and look more deeply at the way we
live our lives. A deeper inquiry has the potential to tap into
and express the zeitgeist, (the spirit of the times). It is
our individual connection and quiet response to the zeitgeist
that ultimately effects social change.
As a result of my own response, I left behind the discipline
of active doing (painting) and opened my life to a new kind of
discipline-the discipline of conscious being. Being took me
into a more formless relationship with inspiration. An
inspired moment will always expand our small ideas about our
world and ourselves. I gave myself to exploring the holy
science of an inspired moment, separate from any form-art or
otherwise.
The choice to leap into the void as I
did was not a choice based on reason, so a rational
explanation is inadequate to describe its effect on society in
any literal way. It was an intuitive decision and one can only
intuit the meaning as one would a dream or a myth. I sensed
this single act would set in motion the right conditions that
would require me to look to the source of inspiration for
everything I did. My intuition proved to be correct and life
began to unfold in ways I never would have imagined. The new
life that I gave myself to involved creatively tending all
aspects of life with equal attention.
DWG: You have had quite a positive
response to your book and the Parabola documentary film that
was made about your life and art. Why do you think you are
getting this attention and why are people responding the way
they are to your unusual story?
JW: I think there is something in my
story that has found a resonance in the hearts of others going
through similar experiences. It gets back to the zeitgeist.
When any expression strikes a chord in the heart of culture it
usually does so because the creativity of the person doing the
expressing has tapped into something universal-something we
all recognize and identify with as our own. When we have been
inspired by an experience or an idea we feel we have found
what we have been looking for.
There is a joy and a freedom that comes through that has the
potential to reawaken the desire to live more fully. The
interesting paradox about this phenomenon, however, is that
most of us identify with an inspiring experience and treat
it as our own even if we have not found the courage to meet
the requirements of such an experience. At some level this
identification is justified, in that the emerging mythology
belongs to all of us. However, as individuals we must find
the courage to move forward into the reality of our own
inspired experience and allow it to transform our lives.
DWG: Your current interactive
sculptures are both powerful and whimsical. How did your new
level of creative exploration inspire these unusual
"beings"?
JW:
In retrospect I see that my sculptures
are an expression that developed organically, out of my
exploration into the metaphorical death I experienced. The
greatest gifts are easily overlooked in the life-experiences
that challenge or frighten us-the experiences that look like
death to the ego! By continually facing my fears some
essential template of understanding crystallized for me.
First and foremost was the initial, terrifying experience of
jumping into the void. I then gave myself to the challenge
of looking for the gift in every experience that came up
naturally in life, especially those experiences that
frightened me.
The art I am involved with now reflects this same challenge.
Recently, a man visiting from
St Louis was standing in my studio, surrounded by many of my
large coffin-like sculptures. He said, "You know-if someone
was not in a very good state of mind they might be a little
frightened by your art!" Clearly, there are some people who
see my sculptures as spooky and death-like. Paradoxically,
for those who can go beyond their initial fear and interact
with the pieces, they walk away joyful, inspired and bearing
gifts.
DWG: How do you balance the impersonal
elements of metaphor and death and with the personal daily
task of maintaining human relationships?
JW: One's true understanding of the
creative power of death becomes the basis for the renewal of
all things-including relationships. In trying to maintain a
healthy relationship, we must do our best to be kind,
compassionate human beings. However we will inevitably come
to the limit of even our best intentions. It is here that we
feel our powerlessness as human beings. Fear and control are
often the way that many of us react to this powerlessness;
however, the only real and effective option to this dilemma
is surrender. It is this final act that holds all that we
love in place in the world. The paradox of this impossible
situation can only be re | | |