Does not include profile numbers
DREAMScene
 
The Newsletter of DREAMWalker Group 2008 Issue #2 (March)
In This Issue
1) Noteworthy at DREAMWalker Group
2) A DREAMScene Interview: Jerry Wennstrom
3) From the Archives of the C*NAQ: A History of C*NAQ
4) From the Archives of the C*NAQ: Sexuality and Spirituality
5) Just Ask Gail -- a column by Gail Fonda
6) New Questions
7) We're Seeking Submissions
(Keeping Yourself) Current @ DREAMWalker Group

Although we do everything we can to keep your profile current, it's best if you contact us when you release a new book or have changes you need made to the profile.

DREAMWalker Group is a collective of inspired individuals who are dedicated to the idea that if one person sparkles, a group of people are brilliant.

As proprietor of DREAMWalker Group, it is Michael Walker's desire to express a deep sense of gratitude for all the good that has entered and continues to enter his life. To do this, he has created a site that offers free web profiles to creative people and provides a "one stop" venue for creative information and creative, spirit-based support. Insofar as this is a free site, he is also hopeful that this site will eventually become self-supporting. To make this a possibility, visitors to the site are encouraged to buy at least one item a year through the Amazon.com and other affiliate links.

NOTE: Profile pages can include the following information (or more):
  • Contact information (website and email, if desired)
  • An historical listing of published books (current and out-of-print)
  • An historical listing of published CDs and tapes (when possible)
  • Cross-links to other subject-related books and authors at DREAMWalker Group
  • Links from author's book directly to Amazon.com (the money we make, currently about $400 per year, helps pay for the maintenance of this free site.

Our Pledge to Share

DREAMWalker Group is a free site.  We believe that charging creative people for their profiles is unwarranted.  It is our primary purpose to give back to this brilliant, inspired, and inspirational community for all the wonderful things they've created and continue to create.

Insofar as giving is good; receiving is also a nice thing.  As is the maintenance of a standard of living that is conducive to happy creativity.  So as part of its mission to give and receive, DREAMWalker Group hereby promises the following:

To give back to the community a full 40% of all additional money earned over and above $100,000 via DREAMWalker Group.  (We haven't decided how best to do that just yet, but it will no doubt be in the way of several scholarships or prizes to current and future brilliant, creative folks and to supporting the literary/artistic community in other ways.)

-- Money earned under $100,000 will be used to provide a decent standard of living and for DREAMWalker Group's proprietor (Michael Walker) and to defray the costs of running this site.

-- A full accounting of money earned and given away will be provided at Our Income and Site Statistics page. 

---
To recap:  Once we pass the $100,000 mark (per year), DREAMWalker Group will give back to the community a full 40% of all additional money earned via this site. 

This means that:

 

-- Out of every additional $100,000 earned over the initial compensation of $100,000, DREAMWalker Group will give back $40,000.00 to the creative community;

-- Out of every $1,000,000 earned, DREAMWalker Group will give back $400,000.00; and

-- Out of every $10,000,000 earned, DREAMWalker Group will give back $4,000,000.00.  Etc.

Who will benefit most from this?

1.  The brilliant, creative folks who continue to get free publicity and exposure via this continually growing and popular website.

2. Their publishers who can run free ads at the site - once they agree to provide cross links to DREAMWalker Group or free advertising in return.

3. DREAMWalker Group's proprietor (Michael Walker).  Possibly freed from the burden of working a day job, he'll have more time and money to use in maintaining this site.

 

4. Amazon.com - Out of 351 referrals in 2007, DREAMWalker Group earned $304.12 and Amazon.com brought in a whopping $5,756.71).  Just do the math!
 

Outside Links to DREAMWalker Group

Added Brilliance

From January 1, 2008 through March 10, 2008, we added profiles for the following brilliant people:

Al Karasa, Alex Grey, Ali Smith, Allen Raymond, Amjeed Kabil, Amy Cohen, André Aciman, Andrew Morton, Anita Diamant, Aoibheann Sweeney, Barry T. Klein, Bett Norris, Bob Dole, Brad Rader, C.E. Murphy, Carson McCullers, Chieh Chieng, Chris Beakey, Chris Van Allsburg, Christopher Kelly, Clara Nipper, Corrina Wycoff, Cris Mazza, Dale Pendell, Dan Gilgoff, Daniel Edward Craig, David Allyn, David Sosnowski, Deborah Eisenberg, Dennis Kucinich, Don Domanski, Dorothy Dunnett, Douglas Bauer, Elizabeth Gaskell, Elizabeth Knox, Elizabeth Whitney, Emma Darwin, Eric Alterman, Erica Spindler, Ethan Nadelmann, Ph.D., Faith Sullivan, Father John W. Groff, Jr., Francis Huxley, Gail Godwin, Gary Charles Wilkens, Gary Indiana, Gary Zukav, Geoffrey Young, George Eliot, George McGovern, Gerald R. Ford, Glen David Gold, Gloria Steinem, Grant Naylor, Gregory Corso, Gwyn Hyman Rubio, Gypsy Rose Lee, Henri Cole, Holly Farris, Ian Spiegelman, Ira Levin, J. P. Harpignies, Jack Finney, James Bennett, James Morrison, James Schuyler, James St. James, Jane Harris, Jane Smiley, Jean-Francois Revel, Jen Wright, Jennifer Harris, Jennifer McMahon, Jennifer Parello, Jerry Wennstrom, Jim Kelly, Jim Nason, John Kenneth Galbraith, John Mohawk, Johnny Diaz, Karen Joy Fowler, Kathleen (Kat) Harrison, Kemble Scott, Kenny Ausubel, Keri Hulme, KG MacGregor, KI Thompson, Larry Coles, Laura Chester, Laura Z. Hobson, Lee Smith, Leonard Cohen, Linda Francis, Lionel Shriver, Lois-Ann Yamanaka, Lorin Gaudin, Luis Eduardo Luna, Ph.D., Mac Hyman, Maharishi Mahesh Yogi, Mari SanGiovanni, Maria V. Ciletti, Marian Seldes, Mark Helprin, Mark R. Probst, Mark Yakich, Marlon James, Mary Doria Russell, Mary Karr, Matthieu Ricard, Maurice Shadbolt, Michael Eric Dyson, Michael Frayn, Michael J. Eardley, Michael Luongo, Michael Quadland, Misha Defonseca, Myriam Gurba, Nadine Gordimer, Ned Sublette, Nigel Jenkins, Nina Newington, Norman Levine, Norman Vincent Peale, Pamela Binnings Ewen, Pat Nelson Childs, Paul Laurence Dunbar, Paula Morris, Paula Offutt, Peggy Scott Laborde, Perry Moore, Peter Orlovsky, Philippa Gregory, Phillipa Ashley, Piers Anthony, Ralph Nader, Rebeca Antoine, Richard David KennedyRobert W. Cabell, Roberto C. Ferrari, Robin Reardon, Roddy Lumsden, Rosy Thornton, Royston Tester, Ruth Stafford Peale, Sarah Goodyear, Shonia L. Brown, Simon Mawer, Skyy, Stacey Levine, Stephen G. Post, Steve Pierce, Steven Stanley, Stevie Davies, Sue Miller, Thomas Hardy, Tom Harpur, Vincent Quinn, Wade Davis, Walter M. Miller, Jr., William Bronk, William F. Buckley, Jr., Wislawa Szymborska, Yosano Akiko, Yukio Mishima, Zadie Smith, and Zbigniew Herbert

*Note: some profiles may still be under construction.

 
 

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Namaste.  Welcome to the second 2008 issue of DREAMScene -- the electronic newsletter of DREAMWalker Group.  In this issue, we'll bring you up to date on some of the things happening at our site.  Things like:

  • We're very excited to announce our very second interview (below) -- with the writer Jerry Wennstrom Jerry is the author of The Inspired Heart: An Artist's Journey of Transformation which tells the extraordinary story of his daring exploration into the source of his creativity.
  • This month we have another installment of Gail Fonda's column, Ask Gail.
  • We're honored to have two articles from the archives of the Christian*New Age Quarterly (C*NAQ, Catherine Groves, ed.).
  • On January 16, 2008 I began offering "Creativity Readings" for brilliant people in need of assistance in contacting The Muse per creativity issues.  Like everything at DREAMWalker Group, the readings are free.  However, donations and creative swaps (barters) are accepted.

We hope you'll enjoy this issue and anticipate more frequent updates in the future!

Michael Walker

Proprietor

 alter_mike-dreamwalkergroup@yahoo.com

Missed an issue of this newsletter?  Click here to view old issues online

 

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1) Noteworthy at DREAMWalker Group

For a list of all general topics of interest, go to the General Community.  For a similar list of topics related to other communities, go to that specific community*.

To date, the communities include Arts, Disability, General, GayLesBi, Literary, Recovery, Seniors, Spirit-Guided, and Transgender.

(Feel free to email us and offer suggestions for new topics or topics related to your own avocation or genre.)

*Note that a topic may be under construction. 

  • Check out Richard David Kennedy's new blog, The Portfolio, at http://rdkpf.blogspot.com.  He describes it as a repository for writers of all genres.  Visit his site, complete the author submission form, and begin sharing to your heart's content!
  • Writer, director and producer Jim Tushinski is seeking tax-deductible contributions for his next project, Dirty Poole.  This is the story of the influential, pioneering filmmaker Wakefield Poole, whose films changed the face of adult gay films and of American independent and underground cinema.  If you have an interest in the art and culture and history of the 1970s or in gay culture in general, consider helping out by visiting htttp://www.dirtypoole.com.
  • Eckhart Tolle's A New Earth: Awakening to Your Life's Purpose  is the new Oprah's Book Club Pick.
  • New releases at DREAMWalker Group:

1. The End of the World Book: A Novel by Alistair McCartney (Watch video)
2.
High Risk by Rick R. Reed
3.
Desert Cut by Betty Webb

If you have a new release you'd like us to notice, drop us a line at:

alter_mike-dreamwalkergroup@yahoo.com.  

Advance copies gladly accepted c/o:

Michael Walker
2039 New Hampshire Avenue, NW
Washington, DC  20009

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2) A DREAMScene Interview: Jerry Wennstrom
Jerry Wennstrom is the author of The Inspired Heart: An Artist's Journey of Transformation which tells the extraordinary story of his daring exploration into the source of his creativity.
 
At the age of 29 artist and author Jerry Wennstrom let go of his identity by destroying his large body of art and giving away all of his possessions. After living a deliberately simple, spiritual life for 15-years he eventually moved to Whidbey Island, married his life partner, Marilyn Strong and began doing art again. He now has a large, new body of art, travels nationally teaching, lecturing, and presetting his art and the films that were made about his life. He continues to do his art and writes a monthly column for Inferential Focus a New York City think tank and consulting firm.
 

DREAMWalker Group:

As a culminating creative act you destroyed your large body of art, gave everything you owned away and lived this way for over 15 years. This pivotal act shifted the focus of your life and took you away from your identity as an artist/painter. What meaning did you find in this radical shift?

Jerry Wennstrom:

I found all the meaning in the world! The shift itself continues to be the most important and meaningful experience of my life. I am convinced that high art and the cutting edge of the creative human experience can only be accessed through a direct relationship to the source. The absence of any interface and trust in something unseen are required of this relationship.  

It is in our willingness to courageously turn and walk into those areas of our lives where our identity, as an ego, might come undone that we find inspiration. It is in this undoing that we find our true identity, separate from any limiting, known reference point in the world. As our controlled, ego creation begins to diminish, a unique creative expression begins to emerge.

Most of us seek some kind of individual expression in the world, and we do so, mostly, in insignificant ways. These ways often reflect or slightly improve on what others might already be doing. To fully inhabit one's individual expression, without reference point to the known world, is a very lonely business. It is this inherent loneliness keeps most of us from fully exploring the territory.

It is the nature of the ego, bent on control, to fear change. The ego interprets any radical departure from a personal or cultural fix as sure death to its existence and it is entirely correct in this assessment. Something old and calcified must die for anything new to be born. It is in the metaphoric "dying" that the inspired possibilities for our lives come alive. There is a quote by Yogananda that alludes to this strange paradox, "To set out on any holy purpose and to 'die' along the way is to succeed." Most of us are too busy "surviving" to open ourselves to the unreasonable requirements of this paradox.

DWG: How did death lead to renewal for you as an artist?

JW: Seeing the pitfalls of denial and fear in myself as a young artist, I saw no alternative but to face the metaphor of death and open myself to the potential it had to influence and enhance my life. If art is to deliver all of one's reality onto the solid ground of a more meaningful and inspired life (which is what I believe it should do) then it was the gift of death that did this for me. As a path of discovery, I believed in art with all of my heart and soul, producing an enormous body of work.

This path took me to an edge where I could do no more with my will, intelligence or good intentions. I was experiencing the death of everything I most identified with as an artist. It was here that two choices became clear to me. I could back away in fear or I could trust the path of art right to the very end and surrender to something unknown, which is what I did.

In retrospect, I find it paradoxical and a little comical that "dying" of my identity as an artist has done more to bring my artistic expression into the public light than years of painting in the studio ever did!"

DWG: How does the artist's personal experience, like you describe, ultimately have an effect on society?

JW: We are in a transitional period in our world and many of us are intuiting the need to stop and look more deeply at the way we live our lives. A deeper inquiry has the potential to tap into and express the zeitgeist, (the spirit of the times). It is our individual connection and quiet response to the zeitgeist that ultimately effects social change.

As a result of my own response, I left behind the discipline of active doing (painting) and opened my life to a new kind of discipline-the discipline of conscious being. Being took me into a more formless relationship with inspiration. An inspired moment will always expand our small ideas about our world and ourselves. I gave myself to exploring the holy science of an inspired moment, separate from any form-art or otherwise.

The choice to leap into the void as I did was not a choice based on reason, so a rational explanation is inadequate to describe its effect on society in any literal way. It was an intuitive decision and one can only intuit the meaning as one would a dream or a myth. I sensed this single act would set in motion the right conditions that would require me to look to the source of inspiration for everything I did. My intuition proved to be correct and life began to unfold in ways I never would have imagined. The new life that I gave myself to involved creatively tending all aspects of life with equal attention.

DWG: You have had quite a positive response to your book and the Parabola documentary film that was made about your life and art. Why do you think you are getting this attention and why are people responding the way they are to your unusual story?

JW: I think there is something in my story that has found a resonance in the hearts of others going through similar experiences. It gets back to the zeitgeist. When any expression strikes a chord in the heart of culture it usually does so because the creativity of the person doing the expressing has tapped into something universal-something we all recognize and identify with as our own. When we have been inspired by an experience or an idea we feel we have found what we have been looking for.

There is a joy and a freedom that comes through that has the potential to reawaken the desire to live more fully. The interesting paradox about this phenomenon, however, is that most of us identify with an inspiring experience and treat it as our own even if we have not found the courage to meet the requirements of such an experience. At some level this identification is justified, in that the emerging mythology belongs to all of us. However, as individuals we must find the courage to move forward into the reality of our own inspired experience and allow it to transform our lives.
 

DWG:  Your current interactive sculptures are both powerful and whimsical. How did your new level of creative exploration inspire these unusual "beings"?

 

JW: In retrospect I see that my sculptures are an expression that developed organically, out of my exploration into the metaphorical death I experienced. The greatest gifts are easily overlooked in the life-experiences that challenge or frighten us-the experiences that look like death to the ego! By continually facing my fears some essential template of understanding crystallized for me. First and foremost was the initial, terrifying experience of jumping into the void. I then gave myself to the challenge of looking for the gift in every experience that came up naturally in life, especially those experiences that frightened me.

 

The art I am involved with now reflects this same challenge.

 

Recently, a man visiting from St Louis was standing in my studio, surrounded by many of my large coffin-like sculptures. He said, "You know-if someone was not in a very good state of mind they might be a little frightened by your art!" Clearly, there are some people who see my sculptures as spooky and death-like. Paradoxically, for those who can go beyond their initial fear and interact with the pieces, they walk away joyful, inspired and bearing gifts.

 

DWG: How do you balance the impersonal elements of metaphor and death and with the personal daily task of maintaining human relationships?

 

JW:  One's true understanding of the creative power of death becomes the basis for the renewal of all things-including relationships. In trying to maintain a healthy relationship, we must do our best to be kind, compassionate human beings. However we will inevitably come to the limit of even our best intentions. It is here that we feel our powerlessness as human beings. Fear and control are often the way that many of us react to this powerlessness; however, the only real and effective option to this dilemma is surrender. It is this final act that holds all that we love in place in the world. The paradox of this impossible situation can only be re