Affiliates
| Works by
George Orwell
(aka Eric Arthur Blair) (Writer)
[1903 - 1950] |
Profile created January 29, 2007
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Down and Out in Paris and London (1933)
This unusual fictional account, in good part autobiographical,
narrates without self-pity and often with humor the adventures of a
penniless British writer among the down-and-out of two great cities. In
the tales of both cities we learn some sobering Orwellian truths about
poverty and society.
The Road to Wigan Pier (1937)
In the 1930s Orwell was sent by a socialist book club to investigate the
appalling mass unemployment in the industrial north of England. He went
beyond his assignment to investigate the employed as well-”to see the most
typical section of the English working class.”
Homage to Catalonia (1938)
In 1936 Orwell went to Spain to report on the Civil War and instead joined
the fight against the Fascists. This famous account describes the war and
Orwell’s experiences.
Why I Write (2004)
Critical Essays (1946)
The Lion and the Unicorn (1946)
Decline of the English Murder and Other Essays (1953)
A Collection of Essays (1954)
In this bestselling compilation of essays, written in the
clear-eyed, uncompromising language for which he is famous, Orwell
discusses with vigor such diverse subjects as his boyhood schooling, the
Spanish Civil War, Henry Miller, British imperialism, and the profession
of writing.
Inside the Whale and Other Essays
(1957)
Selected Essays including The Prevention of Literature, England Your England, Inside the Whale, Down the
Mine, Boys' Weeklies, Shooting Elephants and Others (1957)
Dickens, Dali and Others (1986)
Ten celebrated essays by a man universally regarded
as a master of the essay form. Included are such classics as "Charles
Dickens," "The Art of Donald McGill," "Boys' Weeklies," "Raffles and Miss
Blandish," and "Benefit of Clergy: Some Notes on Salvador Dali."
Essays (2002)
Burmese Days: A Novel (1934)
A Clergyman's Daughter (1935)
Dorothy Hare, the clergyman's daughter of this title, grows up subservient
to her tyrannical father. But submission has its limit and Dorothy rebels,
or at least her psyche does. She blacks out and reappears as a vagrant
amnesiac whose adventures show us life, such as it is, from the underside.
Keep the Aspidistra Flying (1936)
Gordon Comstock is a poor young man who works in a grubby London bookstore
and spends his evenings shivering in a rented room, trying to write. He is
determined to stay free of the “money world” of lucrative jobs, family
responsibilities, and the kind of security symbolized by the homely
aspidistra plant that sits in every middle-class British window.
Movie: A Merry War
(1998), Robert Bierman, director with Harriet Walter,
Helena Bonham Carter, Jim Carter, and Richard E. Grant
DVD
VHS
Coming Up for Air (1939)
Coming Up for Air is about coping. Orwell hooks a character from
among the struggling middle class and, close-up, lets us watch him wiggle.
George (Tubby) Bowling is a "fat, middle-aged bloke with false teeth and a
red face." He sells insurance, a task at which he grimly excels. The
father of two ingrates and husband to a slattern, he dutifully makes
mortgage payments on their dreary home. As the years roll by, he comes to
feel like a hostage to his family. He regards them as wardens, himself a
prisoner.
Animal Farm (1945)
George Orwell's classic satire of the Russian Revolution is an intimate
part of our contemporary culture. It is an account of the bold struggle
that transforms Mr. Jones's Manor Farm into Animal Farm, a wholly
democratic society built on the credo that All Animals Are Created Equal.
Out of their cleverness, the pigs Napoleon, Squealer, and Snowball emerge
as leaders of the new community in a subtle evolution that bears an
insidious familiarity. The climax is the brutal betrayal of the faithful
horse Boxer, when totalitarian rule is reestablished with the bloodstained
postscript to the founding slogan: But Some Animals Are More Equal Than
Others.
Movie (Animated): 1955, Joy Batchelor, director with John Halas
DVD
VHS
Movie: 1999, John Stephensen, director with Julia Ormond and Kelsey Grammer
DVD
VHS
Nineteen Eighty-Four: A Novel (1949)
Thought Police. Big Brother. Orwellian. These words have entered our
vocabulary because of George Orwell's classic dystopian novel, Nineteen
Eight-Four.
The story of one man's nightmare odyssey as he pursues a forbidden love
affair through a world ruled by warring states and a power structure that
controls not only information but also individual thought and memory,
1984 is a prophetic, haunting tale.
Movie: 1955, Michael Anderson, director with David Kossoff, Edmund
O'Brien, Jan Sterling, and Michael Redgrave
DVD
VHS
Movie 1984, Michael Radford, director with Cyril Cusack, John Hurt,
Richard Burton, and Suzanna Hamilton
DVD
VHS
Orwell contributed his views of the English people for this short work.
Includes eight colour plates and seventeen illustrations in black and white.
Orwell: The War Broadcasts (1985)
Animal Farm, steeped in scathing commentary
about communism and the Russian Revolution, as well as 1984, a
ferocious parody of the totalitarian state, are masterpieces of literature
and social thought. This insightful book shows that contrary to popular
opinion, author George Orwell was actually a passionate socialist. It
recounts events that influenced his work, including his experiences as a
left-wing journalist and soldier in the Spanish Civil War.
Critical Essays on George Orwell
(1986), Bernard Oldsey and Joseph Browne, eds.
Why Orwell Matters (2002) by Christopher Hitchens
In a true marriage of minds, Christopher Hitchens
takes on George Orwell and the value of one of the twentieth century's
great independent thinkers. In this brilliant and contemplative
biographical essay, Christopher Hitchens assesses the life, the
achievement, and the myth of the great political writer and participant
George Orwell. The result is the perfect convergence of two kindred
spirits. Hitchens has long regarded Orwell as a mentor and model, and in
true emulative and contrarian style, he is both adulatory and aggressive,
sympathetic yet critical, taking true measure of his subject as hero and
as problem.
Combining the best of Hitchens's polemical punch and intellectual elegance
in a tightly woven and subtle argument, Why Orwell Matters tears down the
façade of sainthood erected by hagiographers and probes deeper to find the
true George Orwell: gifted, flawed, and human. With lyrical and allusive
prose, Hitchens examines Orwell and his perspectives on fascism, empire,
feminism, and Englishness, as well as his outlook on America, a country
and culture toward which he exhibited little curiosity but much
ambivalence.
With his characteristic wit, Christopher Hitchens has written a book that
addresses not only why Orwell matters today but how he will continue to
matter in a future, uncertain world.
George Orwell (2003) by Gordon Bowker
Few writers can boast the brilliant legacy of George
Orwell, both in his contributions to the English language—Big Brother,
Newspeak, Doublethink—and his profound influence on world literature. In
George Orwell, Gordon Bowker gives us the man behind the
words: his early childhood and schooling at Eton; his deliberate plunge
into poverty; his experiences in the Spanish Civil War; his complex,
sometimes reckless sex life; and the extraordinary success of Animal
Farm and Nineteen Eighty-Four. Meticulously researched,
this is the most fully realized account yet of this pivotal literary
figure.
Finding George Orwell in Burma (2005) by Emma Larkin
Over the years the American writer Emma Larkin has spent traveling in
Burma, she's come to know all too well the many ways this brutal police
state can be described as "Orwellian." The life of the mind exists in a
state of siege in Burma, and it long has. But Burma's connection to George
Orwell is not merely metaphorical; it is much deeper and more real.
Orwell's mother was born in Burma, at the height of the British raj, and
Orwell was fundamentally shaped by his experiences in Burma as a young man
working for the British Imperial Police. When Orwell died, the
novel-in-progress on his desk was set in Burma. It is the place George
Orwell's work holds in Burma today, however, that most struck Emma Larkin.
She was frequently told by Burmese acquaintances that Orwell did not write
one book about their country--his first novel, Burmese Days--but in
fact he wrote three, the "trilogy" that included Animal Farm and
Nineteen Eighty-Four. When Larkin quietly asked one Burmese
intellectual if he knew the work of George Orwell, he stared blankly for a
moment and then said, "Ah, you mean the prophet!"
In one of the most intrepid political travelogues in recent memory, Emma
Larkin tells of the year she spent traveling through Burma using the life
and work of George Orwell as her compass. Going from Mandalay and Rangoon
to poor delta backwaters and up to the old hill-station towns in the
mountains of Burma's far north, Larkin visits the places where Orwell
worked and lived, and the places his books live still. She brings to vivid
life a country and a people cut off from the rest of the world, and from
one another, by the ruling military junta and its vast network of spies
and informers. Using Orwell enables her to show, effortlessly, the weight
of the colonial experience on Burma today, the ghosts of which are
invisible and everywhere. More important, she finds that the path she
charts leads her to the people who have found ways to somehow resist the
soul-crushing effects of life in this most cruel police state. And George
Orwell's moral clarity, hatred of injustice, and keen powers of
observation serve as the author's compass in another sense too: they are
qualities she shares and they suffuse her book--the keenest and finest
reckoning with life in this police state that has yet been written.
A brave and revelatory reconnaissance of modern Burma, one of the world's
grimmest and most shuttered police states, using as its compass the life
and work of George Orwell, the man many in Burma call simply "the prophet".
Every Intellectual's Big Brother (2006) by John Rodden
George Orwell has been embraced, adopted, and
co-opted by everyone from the far left to the neoconservatives. Each
succeeding generation of Anglo-American intellectuals has felt compelled
to engage the life, work, and cultural afterlife of Orwell, who is
considered by many to have been the foremost political writer of the
twentieth century. Every Intellectual's Big Brother explores
the ways in which numerous disparate groups, Orwell's intellectual
"siblings," have adapted their views of Orwell to fit their own agendas
and how in doing so they have changed our perceptions of Orwell himself.
By examining the politics of literary reception as a dimension of cultural
history, John Rodden gives us a better understanding of Orwell's unique
and enduring role in Anglo-American intellectual life.
In Part One, Rodden opens the book with a section titled "Their Orwell,
Left and Right," which focuses on Orwell's reception by several important
literary circles of the latter half of the twentieth century. Beginning
with Orwell's own contemporaries, Rodden addresses the ways various
intellectual groups of the 1950s responded to Orwell. Rodden then moves on
in Part Two to what he calls the "Orwell Confraternity Today," those
contemporary intellectuals who have, in various ways, identified
themselves with or reacted against Orwell. The author concludes by
examining how Orwell's status as an object of admiration and detraction
has complicated the way in which he has been perceived by readers since
his death.
The Cambridge Companion to George Orwell (2007 release), John Rodden,
ed.
George Orwell is regarded as the greatest political
writer in English of the twentieth century. The massive critical
literature on Orwell has not only become extremely specialized, and
therefore somewhat inaccessible to the non-scholar, but it has also
attributed to and even created misconceptions about the man, the writer
and his literary legacy. For these reasons, an overview of Orwell's
writing and influence is an indispensable resource. Accordingly, this
Companion serves as both an introduction to Orwell's work and furnishes
numerous innovative interpretations and fresh critical perspectives on it.
Throughout the Companion, which includes chapters dedicated to two of
Orwell's major novels, Nineteen Eighty-Four and Animal Farm, Orwell's work
is placed within the context of the political and social climate of the
time. His response to the Depression, British imperialism, Stalinism,
World War II, and the politics of the British Left are also examined.
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